Crate Expectations

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It's art! In boxes!

It's art! In boxes!

I got a call from my friend Darrell the other day. He said, “There’s this art installation going on down near Mass Ave.”
“What is it?” says I.
“They’re doing art in these giant metal shipping crates. You want to go?”

Now, I have no idea what constitutes an art installation, and wasn’t really sure exactly how this worked in conjunction with metal shipping crates. I didn’t know how “giant” the size would be, or what we’d be looking at, or why it was so interesting or novel. It would all have been a scheme from which to tempt five dollars from my thin little wallet. I didn’t know.

“Yes,” I said.
Given that I knew nothing, it seemed like I must find out, and now, so shall you.

The basic deal was that they had brought out six of those big shipping containers that you always see out by a dock somewhere. These weren’t crates as you normally think of them. They weren’t square boxes, cubes. These were those big, long, corrugated metal things. The containers open at each end, and they were divided in the middel, so one container would hold two different exhibits.

Here’s an overall view of a few of them:

installationnation

I wish I had some more images for you, but at art shows it’s kind of a courtesy not to take pictures of someone’s art work (’cause it’s like, you know, stealing!). I was able to get at least a partial view of one of the more interesting ones, and you can see Darrell taking part below.

installationnation2

You actually lay down on this thing (it was explained to be likened to an MRI) and then it carried you prone into the display and then back out. It was pretty freaky. There were some video screens with images being played over them plus jumbled audio messages being played at the same time. It was weird, kind of cool, kind of scary, and definitely met up with some of my expectations for the event. Some of the other displays were nice, but not quite so much what I was expecting. Some of the artists seemed to use the space more as a standard type of display area, and I guess I was expecting a little more wackiness out of the whole thing.

Darrell mentioned that often times an installation is geared more toward the use of the space as a whole and making it into an area of complete expression, a space that defines and identifies itself separate from the area around it. One work that did this pretty well had a curtain over the entrance, and when you went inside the whole friggin’ interior looked like a pine forest! There were tree-like posts set about, the three available walls all had black and white charcoal drawings of the forest, and the floor was covered with real pine boughs, needles, and pine cones. There were sounds piped in of wind and birds. It was pretty cool. The only thing that kind of brought down the effect a little was the fact that it was still daylight, and the inside of the container was warm rather than the coolness that the visuals implied.

There were some that were involved, but didn’t reach so far. One exhibit looked like a front yard leading to someone’s porch. There were flowers and stepping stones and old steel lawn furniture, and the back end of the exhibit even had a real wood front door. It was well done, but, well, you kind of looked at it and went, “Cute. Front yard.” It didn’t really go any farther than that.

Another was set up like someone’s living room, with a bunch of early sixties period furniture. The artist was displaying a number of small paintings on the walls of yet more home furnishings, explaining that she had bought them in some vague fit of nesting, but never had anywhere to use them in her tiny apartment, so she’d painted them, hung the paintings, and then put the goods in storage “pretty much in a container like this one.” She was fun to talk to. Later on as Darrell and I passed by the exhibit again I looked in and saw her and her friend sitting down to eat dinner at the couch at the back of the display, food set out on the coffee table. I got the eerie feeling that I was looking at a living room plunked down in the middle of an empty lot. It was probably the best moment I had during the whole experience where her art became reality for a few minutes.

Overall I had a good time. Since I’d never been to an installation, it was just fun to get out and see something new and different, even if not every exhibit was uber fantastic or mind-blowing.

After we’d taken in the show Darrell wanted to walk around a bit, so we headed down the street and I snapped some pictures along the way:

church

There was a church nearby, and I liked the look of the sun on the brick. I think black and white would have done a better job with this, but it was fun messing with the angles. Darrell and I as well as some other artists at the show, all remarked that this building would be outstanding as a set of lofts or studios for artists. It’s been empty for quite some time apparently.

plantwall

Another view of the church with some vegetation gamely vying for living space.

riggingshop

Rigging shop. I just love that sign. They probably sell stuff here with cool names like “turnbuckle.”

gianthook

Hook. Giant hook. Couldn’t walk by it without taking a picture. I kind of want this hanging in a big workshop. I wish I had a workshop big enough in which to hang it!

Hope you enjoyed the tour, kids. Sorry I’ve not been producing much on my own lately. It’s been a challenge. I’m hoping this changes in the near future. I hope you are all finding some inspiration of your own so that you too can “stay creative.”

The Beaumont Zone

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Aw, dudes, check this out!!!!

Collections of sinister, humorous, and just plain weird literary greatness.

Collections of sinister, humorous, and just plain weird literary greatness.

I know, old books. You’re as excited as I am, right??? If not, please allow me to explain just a bit. In the photos above what you see are original publications of short story collections by one Charles Beaumont. Like Richard Matheson, Beaumont wrote for The Twilight Zone. Unlike Matheson, Beaumont was not able to live a long life, thereby enabling him to spread his literary awesomeness to a greater audience, or to garner movie deals from his stories which would go on to be remade three separate times.

Beaumont died tragically at the young age of thirty-eight, victim of an odd condition that has now been said to be Alzheimer’s, but at the time was unknown. Due to his untimely passing, his career was understandably short, yet the body of work which he left behind him has led authors such as Ray Bradbury, Harlan Ellison and Dean Koontz to remark that his influence is deep and wide even today.

Doing some hunting around on Wikipedia in recent weeks, I happened across Beaumont’s entry, and became enthralled. I noted that, while he hadn’t been on this earth long, he’d still managed to produce enough work for several published collections. Not being flush with cash, I checked the local library catalog. Zilch. I then realized that, while there were a few newer anthologies of his work, each one omitted stories here and there from his original publications. This would not do. I had to have them all!

Raiding the change jar (literally – I found I had fifty-two quarters sitting on my dresser in a pickle jar), I went to abebooks.com, recommended by a friend, and typed in his name. Oh, the joy when the search results pulled up numerous copies! I bought all three of his first anthologies. It’s been one week since I received them, and I’ve read every single one of them. They’re outstanding. Some of it is sci-fi, some horror, some are just plain humorous, but all are excellent.

I’ve started making notes for myself on the how and why of his writing. It’s very interesting stuff. For instance, out of 17 stories in his first book, only six of them have death directly incorporated. Out of those six, only four of those deaths are violent, and this from a book subtitled “A Collection of Violent Entertainments.” Here’s a guy who obviously pulls off the creepy and fearsome without resulting time and again to hack and slash violence. It’s not overdone or overwrought, it’s just plain good storytelling, and this, friends, is what it’s all about: telling a story well. If you can do that, then you don’t need to come up with some crazy new idea that no one has ever done before. Although, honestly, Beaumont pulled that off too. His short story “The Crooked Man” caused quite a stir when it came out in Playboy in 1955. No one had seen anything like it in mainstream press at that time. His idea to flip heterosexuality with homosexuality in a word where births were controlled in a lab, making hetero relationships illegal – powerful stuff in that day and age. Still a good story to this day.

I will continue going through these and making notes. He was an expert, a pro, and there’s certain to be much I can learn from him. If you’re at all curious, I suggest hunting down some of his work. For six or eight bucks including shipping, you can do far worse than indulging in Beaumont’s work.

The Fallacy of Self-Destruction

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Because I read this today, I found out that Quinn Cummings and I both love the book Geek Love by Katherine Dunn. Because I found that out, I thought that maybe I might not become a womanizing, drug-addled, mentally unstable, critically-acclaimed, poverty-stricken, lonely alcoholic writer by the end of next week.

Some of you may understand exactly how all of that makes sense. If you do, then I feel for you, because you have a brain like mine, and that isn’t always fun, even if it is entertaining. For those of you who don’t, allow me to explain the finer points of Being Tom’s Brain.

In the past few weeks I’ve been reading a lot about dystopian fiction. This is an area relatively new to me, and one which I’ve previously known about mainly through popular works such as Farenheit 451 and 1984. I love to do research, though, and while recently doing some Wikipedia research on 1984, I came across a list of 175 novels with the theme of dystopia. That’s a lot of grim future, my friends, and I dove into it with glee.

I started to make a reading list. In the process, I noted various authors: Jack London, Aldous Huxley, H.G. Wells plus many other lesser-knowns. One that rang some sort of vague bell of recognition was Philip K. Dick. I knew only that he had written the book “Do Androids Dream of Electric Sheep?” which had become the basis for the classic film “Blade Runner.”

As I plowed deeper into the list of titles, Dick’s name appeared several times. His wasn’t the only one to do so, but I noted on several occasions, that when it did, it was accompanied by fervent enthusiasm on my part. It seemed that every idea this man had flipped an exuberant ON switch in my brain.

I was piqued as to the background of the man. What was he like, this machine that seemed to be able to not only crank out numerous novels, but come up with ideas for stories that I wished I’d come up with myself? This guy was on my wavelength. I mean, I was really digging his stuff. What was his life like? How similar might be we two? I clicked on the link to his biography.

Me reading: Hey! Hey, look! He won a Hugo Award. Sweet. He won a John W. Campbell Memorial Award. Nice. Thirty-six novels and 121 short stories! Damn – Blade Runner, Total Recall, A Scanner Darkly, Minority Report – all that stuff is his! It can be done! Here’s proof of literary success! He was awesome!

He was awesome, and…and divorced…five times.
…and lived most of his life in poverty.
…and…never lived to see any of those movies from his books.
Hmmm…history of drug use.
Uh…he thought he was…taken over by the, uh, spirit of the prophet Elijah.
Thought he was…living a double life? And the second one was as “Thomas,” a Christian persecuted by the Romans in the First Century A.D?

It was about this time that me head started to have great fun with me. Oh great, it said. THIS is the guy I like? THIS is the guy whose ideas seem like they could have come out of my own head? THIS GUY??? I’m doomed.

Clearly, my head said, I was hopeless, my path to literary greatness was predestined. If I loved the ideas presented by Philip K. Dick, it was unavoidable what should follow: My desire to embrace a life of creativity, of literary and artistic pursuit – this was all going to end horribly. Soon I would be losing my day job due to loss of work ethic. I would walk out the door with my little cardboard filebox of belongings declaring loudly, selfishly, that, “I just can’t cope with this sort of mundane existence! I must create!!!”

My foolhardiness would make itself known straight away by me not getting anything at all published for a year or two. During this period, I would boomerang between writing and alcoholic binges, turning out pages of dreck suitable only for immediate destruction and my own growing pool of self-hatred and shame. I would lose my house to foreclosure. I would alienate both friends and family as I stomped and raged through my self-involved wreckage, flinging aside offers of assistance, sure that my way was the only way and that society was ignoring me, that the world at large was against me!

Finally, when I was in darkest despair, and against even my best efforts at self-sabotage (like the time I would write to an editor and demand he publish me “Unless you want to be known for only ever printing the linings of bird cages rather than untested brilliance!”), I would be published. By this point, however, so energetically had I set about committing the arson of my many personal and professional bridges, the only places that would publish me were small rags, amounting to hardly enough for a month’s rent in one room of a run-down house in a seedy part of town.

My bitter hopes emboldened, I would crusade onward, declaring that, “They’ll see. I’ll show them all!” Somehow, good writing would still manage to come from pen, pencil, typewriter, or whatever writing instrument I could afford at the moment. My earnings would be spent on the barest subsistence of life, with the remainder thrown away on whatever libation happened to be cheapest that week at the corner package store. I would turn to the use of pseudonyms as a means of getting my work published, having managed to repel any and all publishers who might otherwise have considered my work worthy of print.

Upon death at an early age of 56, brought on notably by years of substance abuse and generally poor self-care, I would leave to my credit only a handful of known published works, most of these in magazines. It would not be discovered until more than a decade later that I had more than twenty novels to my credit, often published with houses so small that they were scarcely known to exist. Movies would be made from several of my books, and my family would profit well in the aftermath of my mismanaged life. I would become known as an unappreciated master, influencing a whole wave of fiction to come for a new generation of writers.

Nice, huh? I really know how to turn on the melodrama when I have an opportunity – and this from reading a single page of someone’s online bio! My mind works wonders, I tell you, wonders. I’m especially tickled at how I made me into an “unappreciated master.” I suppose, though, that it wouldn’t make much of a story if I simply became a drunk who wrote badly his whole life. I don’t think A&E would waste a biography on that one, nor would it merit a Wikipedia entry, and who wouldn’t want to be a Wikipedia entry?

All kidding aside, my head really does create excuses for me not to do this stuff. I vividly recall making the decision to major in Journalism in college. I reasoned that, “You can’t make any money as a writer. Well, some people can, but you have to be kind of born to that, or show some sort of miraculous gift for it early on. It’s no way to make a living. But you can get a job with a newspaper. That’s a real job.”

And so it went. You know what happens when you don’t really go for what you want? You don’t really get what you want, and you end up pretty disatisfied with what you choose. Now I don’t know about the whole “unappreciated master” thing (I’d actually like to be an appreciated one with a bank account to prove it), but I can say that I would enjoy at least having some stuff published. There is that. It may not make me rich, it may not even cover a month of my mortgage (though that would be sweet), but there’s nothing to say it wouldn’t be worth trying. There’s also nothing to say that I would become like Philip K. Dick if I pursued writing aggressively. I always seize the most negative aspects of something, which, not surprisingly, gives me all sorts of reasons NOT to do stuff. I’m kind of done with that. I’m ready to move forward and look for some positive stuff. After all, Quinn Cummings likes some of the same books I do, and she’s funny, can write well, and she has a husband, a child, and as far as I know she doesn’t believe she’s a resurrected biblical figure. There’s hope in that.

Easter – Color and Design

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Spent Easter with the fam as I am wont to do, and we performed the highly-anticipated ritual of coloring eggs. This was, needless to say, a perfect opportunity for everyone to indulge in a little creativity.

In my family the whole egg-coloring deal has held to tradition for decades. This means that we’re almost notoriously steadfast users of the Paas line of vinegar-scented chromatic madness. While there have been years where a crazy new idea came out (thinking of the year my older sister came up with some way of using food coloring and vinegar for these fabu starburst effects), we generally just stick with the tablets, some warm water, and then try and do everything we can to get the most out of the basic materials.

Here are some of this year’s results:

Easter egg colors

We had a bunch of fun this year, and mostly we let the kids do whatever they wanted to do, and the adults kind of goofed around with it. I recall in years past we had some pretty amazing results, but we were laid back about it this year. I’m probably the only one who was bothered about it, as I tend to take five times longer than anyone else in search of the “perfect” design, color, and style. (Yes, by now you are all familiar with how I can take something simple and overdo it. One year at a jack-o-lantern carving party at someone’s house I took as long to do one as everyone else did to do two of them. I’m sure my obsessiveness is entertaining. You’re welcome.)

Egg closeup

Getting a closeup on these, you can see better how we work with our limited resources. You have to get pretty creative (awesome!) with your execution when your coloring depends largely on dunking an oblong shell-coated embryo into a coffee mug full of tinted water. There’s the whole half-in-one-side/half-in-the-other-side, and then of course you can go for the “suicide” effet – putting the egg into every single color on the table, but after you’ve covered some of the obvious tricks you begin to want to reach for something a little different. Okay, maybe you don’t, but I do, and so does some of my family, apparently.

The first one on the right was done by putting the egg in multiple colors, then removing it, patting it dry in a few spots with a towel, and submerging it again. This thing looked fantastic when it was done. It had a crazy purple/gray/blue thing going on. My sister’s friend did it. I thought it looked almost like concrete. It was awesome.

Egg closeup

Above is a closeup of the ones I did. The foreground one was partly accident-related. Before I got hold of it it had been dropped. Didn’t matter, I love the way colors react around the damaged area. Check out how the blue has come out of the green at the cracks. Super sweet. Look further up toward the top and you can see a spiral that wraps around the egg. I got that by using a crayon and drawing on it, then submerging it.

The one with the wacky stripes on it came from putting the egg in read for a short time, then pulling it out and letting it dry a little, then wrapping rubber bands around it in random patterns and putting it back in, this time in purple. Rubber band ones are always fun.

The orange and yellow one was another crayon work. I put it in yellow and then scribbled all over it with crayon. When I put it back in I used red. I left it in a really long time, and the colors turned out nice and vibrant on that one.

And now for a little photo instruction. Check out these two photos:

easterfun09001

and:

easterfun09005

Have you sometimes wondered why your photos look like snapshots and not photos? A lot of it is in the lighting. The first (really cute!) photo was done next to a sunny window. You can see that the left half of the face has a nice, soft light to it. Skin tones look great, and it adds a lot of character to the photo.

The second photo looks fine, but the lighting is just…flat. It doesn’t do anything. This one was shot from a different angle, and the on-camera flash was used. Now, most on-camera flash is harsh and bright. Works great over a large variety of situations, and does a wonderful utilitarian job of getting illumination into all kinds of spots so you can see the subject in a dark room. However, it’s not the kindest of light. It’s flat, and it has no “color” so to speak. It makes pictures look like the one immediately above.

My little quick tip for you is if you’re trying to take a picture and make someone look as fab as possible, put them next to a window with some indirect lighting. This will soften wrinkles and round all kinds of unpleasant edges. Sunlight also has very nice color to it and won’t make the subject’s skin look pale or blue or any other number of undesirable shades.

My other nifty little tip is this: if you are using a point-and-click camera, and you do have to use the on-camera flash, but you really want to soften things up a bit, tape a piece of disposable tissue paper of the the flash. How many times you double it over is up to you, but try it out for fun some time and see how it looks. You’ll be amazed at how much nicer it appears.

They sell things like this for certain cameras. They’re called diffusers. You can’t get them for most pocket cameras, nor would you really want to mess with one, but in some situations it can be pretty cool, like if you’re at grandma’s 80th, and you want to get her with mom, and you want to take just a minute or two extra and get that quick shot where everyone will go “Aw…that looks great!” forever after.

When I was in college I couldn’t afford a diffuser for my zippy little mounted flash on my Nikon. I hated the harshness of the flash so much I ran around with a handkerchief rubber banded to the flash always. I never took it off, and I always preferred how that stuff turned out.

Hope you all enjoyed the recent holidays and that you had a chance to do some playing and have some creative fun.

Dyngus Day – Costumes!

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For those who aren’t familiar (and indeed I’ve only recently been introduced to more than cursory knowledge on the subject myself), Dyngus Day is the Monday immediately following Easter Sunday. There’s a whole bunch more info on it on Wikipedia here. In this particular instance, what we’re dealing with is the Polish celebration of the end of Lent. It’s a bit like the opposite Fat Tuesday, or as my friend called it, “the bookend of the Lenten season!”

Dyngus Day is celebrated in the U.S. in areas of heavy Polish population, such as Buffalo, New York, Wyandotte, Michigan, and South Bend, Indiana (where, incidentally, my clever ‘bookend’ comment friend hails from). It’s a pretty heavy political day up in South Bend, particularly for the Democratic party, as I have been told by some natives. To a larger number of folks, however, Dyngus Day gives cause for things like massive water weapon fights at Yale University (traditionally folks were doused with water that had been blessed and was to be used to bless the home and family in it), parades, and general wacky merriment.

This year I got to be part of some of the general wacky merriment by being asked to guest with a band at a bar in Bloomington, Indiana. It seems the bar’s owner was once a resident in Buffalo, New York which, you’ll recall, is a stronghold for observance of the day. I’d heard about this gig before. My friends had played at it for several years. It seemed like there were always tales of goofiness and oddball dress and behavior, but it’s a college town, so I just kind of figured that went with the territory. You give some college kids half a reason to dress weird, plus some drink specials, and, voila – instant inebriated tomfoolery.

I wasn’t prepared.

My first clue should probably have been that we were going to do an entire set of Neil Diamond songs. My second clue was when my friend the drummer told me, “We usually try to get the new guy on the gig to try and dress up like a woman.”

Still, I wasn’t prepared.

Join me now, kids, in embracing the oddity, the fun, the sheer zaniness that is Dyngus Day at Yogi’s in Bloomington, Indiana. Why more bars haven’t seized on this as an opportunity for fun I’ll never know, because it was a damn good time!

Fez-tive attire. This is the first thing I saw when I came in the door. The drummer in Where's Waldo glasses, and a fez. Something was clearly afoot.

Fez-tive attire. This is the first thing I saw when I came in the door. The drummer in Where's Waldo glasses, and a fez. Something was clearly afoot.

The sax player has on a green cape and a rainbow wig. The bassist's seafoam green guitar went wonderfully with his red jacket in a not-really kind of way.

The sax player has on a green cape and a rainbow wig. The bassist's seafoam green guitar went wonderfully with his red jacket in a not-really kind of way.

When the band got done they all took a drink from the ski. That's right, the thing they're holding is a snow ski with four shot glasses affixed to it.

When the band got done they all took a drink from the ski. That's right, the thing they're holding is a snow ski with four shot glasses affixed to it.

I should not here, that many folks were drinking Sliwowicz (pron. “sliv-o-vitz”), a brandy made from plums (I hope I’m getting that right. It’s hard to find the info on the web, oddly.). It’s very strong, so much so that it is considered to be medicinal by traditional Poles. My friend’s wife came up with a slogan for it: “Sliwowicz, it burns!” She should be in marketing.

It looks like a paint factory exploded on these people. Outstanding.

It looks like a paint factory exploded on these people. Outstanding.

There was no clothing too loud for Dyngus Day. The more garish, the better.

There was no clothing too loud for Dyngus Day. The more garish, the better.

Guys are cuter through lawn-colored glasses. It's true.

Guys are cuter through lawn-colored glasses. It's true.

I wish I'd gotten a better shot of the guy with the Care Bear top. There are more plaids and mismatched checks and stripes here than in a thrift store.

I wish I'd gotten a better shot of the guy with the Care Bear top. There are more plaids and mismatched checks and stripes here than in a thrift store.

Had a blast at the show. I wish I could have taken more photos, but I was a little busy playing and all that. I missed the accordion players – and they had two of them! I also missed the guy dressed in a giant parrot suit and the guy in the wet suit. There was a woman in a full clown costume, and more crazy wigs than I’ve seen at a Ringling Brothers show. People really did take the opportunity to go all out for it. If I’m in on it next year maybe I’ll see if I can find a kilt and a perfectly non-matching neon pink and fuschia blazer.

Stay creative!

Ransom Thank You

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I’ve been remiss in blogging, but it’s not been on purpose. My apologies. There’s been a TON of stuff going on these past couple of weeks, and it’s been hard to keep up with the daily life let alone blogging about it. I have photos, and I want to share them, but it’s going to take some time to get them together.

HOWEVER, part of what has been keeping me from blogging has been making more stuff, and I was quick enough last night to get the latest project on pixel, and still more amazed with myself for getting it formatted to stick up here. But I did, and I am.

Here’s a little foreward. The band played at a private party for some folks a week ago. Said folks have been responsible for my employment on more than one occasion, so they’re responsible for me owning things, even if it’s just gasoline to get through the week and maybe some low fat vanilla yogurt and Bear Naked Granola (mmm….yogurt and granola!). Oh, so anyway, I wanted to thank them for being such great hosts and all, because there have been occasions where I’ve played for someone and hoped I would never see said employer ever again in my life. This folks are cool. They deserved a little thanks.

I figured I’d send a thank you, only I’d sent them one before. I only have one kind of thank you card, so that seemed rather perfunctory of me. Somehow I got it in my head that I’d cut up a bunch of magazines and make them one. Now that I think about it, I can’t recall how I came to this conclusion, but I did. I know, it’s no big wow of an idea, but it is fun, and it beats the hell out of a regular card.

The short of it is that I spent WAY too much time on this, but had a great time doing it. All told, with consideration for gathering the materials and sticking them all together, I think I have about five or six hours in this thing. Really. I seem to get carried away. You may have noticed this. I don’t seem to be able to do anything “just good enough” when it comes to creative projects. (Wait until you see the RBS that Tina helped me with!) I will eventually pick up some more skills with scheduling and timing and whatnot, but I still go overboard.

Witness the front:

Front of card is the bottom half.

Front of card is the bottom half.

I showed this to my coworker, and she said, “Wow…there’s a LOT going on here!” I apparently did like I did with my early marker-and-Crayola projects, and just threw the book (the magazines?) at the thing. It’s a bit busy, but it’s fun.

Flipped over, so you can see the back easier:

Back of card is bottom half here.

Back of card is bottom half here.

Inside of card.

Inside of card.

My coworker said, “It’s like a fun little ransom note!” Yeah, the cutout letters on the front reminded me of that as well. I had fun sticking all these wacky images together. The search was half the fun. The gluing was…not so fun, but I worked it out with minimal mess. I hope they enjoy this.

My sculpture stuff, the rolling ball sculpture, that’s kind of tough. I try to really put some serious effort into it and make it look nice. This was all about fun and goofiness. I could have gone really over the top with it, and, believe me, the thought occurred several times that “if I only had some stamps…and some paint…and some spray-tack…maybe some cloth.” It’s sick, I tell you, but I managed to resist all that.

I return again to that admonishing thought, that self-damaging thought which is always, “That’s not real art. That’s not serious stuff. That’s not good enough. That’s just kid’s play stuff.” This project is yet another way of giving the stiff-arm to that negative voice and pursuing some simple creative play. It’s good for your head and your heart. We all have old print media lying around. Get yourself some and have fun with it.

The spinoff of this project is likely one that I’ll make for mom for Mother’s Day. I think I’ll scan and print some old family photos for her and collage them together with other found media from various sources. I’ll put a little more effort into it (may take another trip to Mulitmedia to get some supplies), and we’ll see how it turns out.

Stay creative, kids!

Tina Hard at Work

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Tina is working away on the base for my latest RBS. She’s done a bit o’ blogging on it, and I thought you might like to see what she’s got on her plate right now. This is a lot more involved than I’d originally imagined it would be. I appreciate that she’s working so hard at it.

Here from earlier: http://tinahanagan.com/2009/04/08/rbs-progress/

And here from just this week: http://tinahanagan.com/2009/04/13/its-all-about-the-circles/

I had fun decorating Easter eggs with the fam over the recent weekend, and hope to have some pics up for that as well as the Dyngus Day gig I did down in Bloomington, Indiana with some band friends – much hilarity in costuming on that one!

Stay creative, folks.

Graffiti Mural

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A few weeks ago I was down in Bloomington, Indiana, headed for band practice (I’ve actually repeated that process several times since then, but for the purposes of this blog, we’re going to stick with one particular date). I was just a few short blocks from my destination when I passed by an empty lot on my right and a flash of color caught my eye. Glancing over, I saw what appeared to be an in-process public arts work. It was getting dark by then, but I vowed that whenever I happened by there again with good lighting, I’d be shooting it.

Two or three weeks later, timing conspired. I was headed to practice once again, and as I zipped by the lot, I glanced over again and realized that, not only did I have a few extra minutes, but the lighting was about as ideal as I could hope for given the rainy season, relative position and all that good stuff, so I hit the brakes, grabbed the trusty Nikon, and hopped out of the car.

I just like the fact that there’s art being put up out in the public eye where anyone can enjoy it. This is well off the main drag, so you have to kind of seek it out to find it. I enjoy all the color in this mural. It’s definitely a bit of a dreamy sort of piece. The Alice in Wonderland reference is cool. Obviously, the area around it needs some work, but last time I passed it looked like they were doing some more cleanup work with it. If you ever happen to be in Bloomington, you will find it on the west side of the street about three lots south of the intersection of 2nd and Washington streets.

I think it’s pretty cool that this is some art that doesn’t have to be hung in a gallery in order to be appreciated. Maybe that’s where a lot of the value is in it for me. I always used to have this idea that “art” was always Art, capitalized, mind you, and that this Art was created by famous people who were either foreign or born to greatness, and that their stuff was either massive and cut from stone, or massive and in a gilt frame, or maybe not so massive but still of stone or in said gilt frame. This is what my head does to disqualify me from attempting things I’m afraid of doing. It says, “No, that’s not for you. You’re not from Italy. No, that’s not for you. Your parents weren’t artists themselves. No, that doesn’t count, because it’s done with spray cans on a wall instead of oils on canvas.”

This is all about embracing art as enjoyment by the senses, something that can cause you to stop and think, and that is not bound by an traditional, rigid theories on “the way things should be.” I am still kind of weird about calling rolling ball sculpture “art,” but I try to let myself do that, and I try not to blow it off when other people call it that.

Anyway, enjoy the art where you find it. See if you can go out in your own neighborhood or town and find some art that’s not in a gallery. It’s all over the place if you just open your eyes a bit.

In other bits of news:
Tina is still working on my RBS base. I wait patiently.
I wrote about 900 words on my novel last weekend. Slowly but surely…
I showed Darrel some of my colored pencil drawings for the first time, and he said, “Those look great! Cool!” which was really awesome, because I was worred that he’d given me the pencils and then he’d think it was a waste on my meage efforts. He did not. I feel good.

Until next blog, stay creative, kids!

Easy and cheap…or maybe not

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Way back when I started on this rolling ball sculpture stuff I got this idea that it would be fun and cool to use old gears and bits of other things to construct the ball lift that I wanted on my sculpture. I got even more interested in doing this when I found out that custom made brass gears cost around forty bucks a piece(!). I dug around on eBay and found old clock parts that looked fantastic. I could get a bag of them for about seventy bucks, but I would have so many, I could use them for all sorts of stuff and it would offset the initial cost in the long run.

I managed to dig a couple of gears out of the collection that would kind of work with the chain I had ordered. It would take some doing, but I could make it happen. Besides, it would look cool, really, really cool. A while back I started actually trying to assemble all of this gack into an operable Electroencardioshnooks, and found out that one of the pieces was going to need some machining done on it. It was just a gear with a shaft. I needed the shaft turned down at one end to mount the whole thing on a bracket.

So I began looking for a machine shop somewhere in my area, which isn’t easy to find. There was one down the street from my office (way out past the west side of town), but my job was too small for them to take on. They told me to go into downtown to have it done, which would have meant I’d have to take half a day off work to do it, which I didn’t want to do. So, I kept looking. I finally found a place not too far from my house, and the beauteous thing of it was that the joint opened at 7am, meaning I could go there on my way to work. Awesome.

I went. I explained what I needed. No problem, I was told. Happy to do it, and won’t cost more than twenty bucks.
Okay, twenty bucks I can handle. It was one job.
Guy calls me middle of that day. The shaft broke as they were trying to machine it. It’s an odd size. They need to order more material to replace it. They won’t be able to have it to me for a week. I say, use something larger and just bore out the gear to fit it. They guy, probably not wanting to do the extra work on such a little job, says that he can get the stuff in to do it right, and it won’t be more than twenty bucks. Okay, I’m not in a rush.

I go back a week later. I show up and I’m asked if “they got it done.” Huh? You were the guys that told ME to show up today. I’m assuming it’s done. A quick check is made. It’s not done. Come back tomorrow. Fine. Tom leaves, not all that jazzed.

Tom goes back today. Job is done! Happy. Guy explains job. Due to the existing gears on the shaft and how they were assembled, it turns out that the shaft required was larger anyway, so they had to use a bigger one (negating my wait time on that material from the past week). Hey, these things happen, but it’s still only twenty bucks, right? Nope, it’s twenty-five. By this time I’m just happy to have it in my hands and be done with it. I’m still glad I have it, but I’m a little more glad that it’s just finally all over with.

How much is a miniature lathe, anyway? Maybe it’s time I just cut out the middle man.

This simple little piece ate up weeks of time. It happens when you want to make nifty custom things.

This simple little piece ate up weeks of time. It happens when you want to make nifty custom things.

In other news, I’m working on the novel. Again. Still. It’s looking like I’m nearing and end on this thing, which is good. I love finishing stuff! Before I couldn’t even begin things, or if I did, I couldn’t finish them for fear of them being imperfect. This one is about as imperfect as they can get, but I’m steamrolling onward (at about the same speed as said steamroller). It’s taking a long time, but I’ve not given up on it yet. When I’m done, the good will be that I can look back and say, “Well, there was that time I wrote that 90K-word novel. If I did that, then I can do this thing I’m working on now.” It won’t be great, it may not even be mediocre, but it will be finished, and when you’ve spent a lifetime fearing finished things, it’s a great victory. So, onward toward victory.

Oh, I’ve started reading a new bit of fiction this week. I absolutely love it! It’s called “Geek Love,” and it’s by Katherine Dunn. Circus performers, love, jealousy, bitterness, family, betrayal, kids with flippers instead of arms, hunchback albinos – this book has everything you could want. If you like twisted tales that also highlight the difficulties and joys of family, then this book belongs to you. I was riveted from the start.

I forgot one last thing. I’m working on another drawing. My niece said upon viewing it, “Cool! It looks like when the TV goes all fuzzy.”

One last last thing. I have word from Tina that she has found the apparently ideal piece of wood for the base of my current rolling ball sculpture project. Sanding is in progress to prep it. Stay tuned, stay creative, kids.