My Artwork is in an ExxonMobil Commercial!

I was asked to do some work for Red Six Media in Baton Rouge, Louisiana. Their plan was to create a Rube Goldberg type of machine for a TV commercial for ExxonMobil, and they needed some rolling ball sculpture elements to integrate into it. It sounded like an fun project, and I was definitely interested in the opportunity to put my work out in front of a larger audience.

As I worked on it, I considered the possibilities of the final outcome. You never know just how your work will be used, and I’ve seen situations where the end result hardly showed the contribution or presented it in such an odd fashion that it was hardly recognizable. I realized that my work could be edited down to 2 seconds and shot at an oblique angle that didn’t really present it well. This is just a reality of the job, and there’s not much you can do except hope for the best outcome and do your part to do the best work you can.

I just received a link to the completed commercial yesterday, 3/11/18, and I have to tell you that I am absolutely thrilled with how it turned out! Both of the pieces that I created for the commercial were used, and they got nearly ten seconds of time during a 30-second commercial! My work looks good in the video. You can tell exactly what it is, there are some cool closeups, and the counter weighted tipping arm that I made for it looks and works wonderfully!

I am thankful to Red Six Media for asking me to do the work, and I’m grateful for the opportunity to present my artwork in a commercial setting to a broader audience! The commercial begins airing today, and you an also see it on http://energygoesfar.com/ .

Here is a direct link to the video! https://vimeo.com/258747102/cf40f8cf08

New Video for “Tomfoolery” RBS at Indy Public Library

It has taken some time, but I’ve finally been able to put together an appropriately awesome video of my commission for the Indianapolis Public Library, Central Branch! This piece, titled “Tomfoolery,” is getting lots of love at the library on a daily basis. Area Resource Manager for the library, Michael Williams, says, “Tomfoolery, the rolling ball sculpture created by artist Tom Harold, clearly brings a sense of wonder to every individual who stops to admire it. In a high traffic location…the sculpture is seen by hundreds of library visitors every day. [It] is a great and entertaining piece of art that truly excites the viewers. It stops many of them in their tracks and they clearly enjoy the time they spend watching it.”

That’s a pretty outstanding commendation to receive, and I’m very happy for it, as one might expect. As you’ll also see in the video below, there are photos and a few seconds of video of the piece being observed and eve fairly mobbed by children and adults. It really does my heart good to see it being enjoyed so much! Clearly, this rolling ball sculpture has gone to the perfect home.

If you’re wondering, the name “Tomfoolery” came from a couple of influences. One is from my general affinity for messing about with all kinds of mechanical contrivances, something I’ve been prone to since birth, as near as I can figure. Secondly, fittingly, and far less obvious, as a child I loved a book called “How Tom Beat Captain Najork and His Hired Sportsmen,” by Russell Hoban. In the book there’s a boy named Tom who lives with his aunt and is constantly fooling around with all manner of castoff objects in myriad ways. His aunt sees this as a terrible occupation in life, but seems to be able to do nothing to stop it. To that end, she sends for the most famous master of fooling around that the world has ever known, Captain Najork! He arrives with seven hired sportsmen in a pedal boat, and the games begin! You’ll have to read the book to find out the ending, but, man, I love that book! So, this piece is in a library, I love books, I like to fool around, he’s Tom, I’m Tom. You see how this all comes together: perfectly!

There are more details about Tomfoolery on my web site. Below you can see the video in all its foolingaroundishness.

Thanks for dropping in, and if you’d like to check for available sculptures, check my gallery here. If you’re interested in commissioning your own custom piece, click here for commissions.

Video for Tick Tock, a trade show rolling ball sculpture

Back in April I was contacted by a company that creates trade show displays. They had a particular display that needed a rolling ball sculpture as its main element. Time was short. They needed it turned around in just three weeks. Was I interested? After a few email exchanges to gather details, I accepted the commission and immediately got down to work.

The details for this piece were quite interesting. It needed to be hand fed from a funnel at the upper right, rear corner. The exit had to be in the center at the bottom, dropping the marble into a container furnished by the company. More unique were the dimensions: three feet tall, 16 inches wide for the main body, and only 6 inches deep! It also needed three or four “arms” that reached out at various points no greater than about five inches.

“It’s shaped like a grandfather clock,” the told me. That stuck with me as I built it, and I couldn’t help but think of it as a giant clock body the entire time. I knew it was going to be called Tick Tock before I ever finished it.

I completed the work on time and within budget. The client received the sculpture at their shop in Canada in perfect condition and sent me a very pleased email. Check out the video below to see what I created for them. If you need a rolling ball sculpture, something that is guaranteed to stop people in their tracks and keep them riveted to the spot, be it for a trade show, waiting room, hospital, museum, library or any such public or private venue, do get in touch with me at www.tomharold.com and let me know how I can help you. And if you enjoy the video, please do give it a thumbs up on Youtube. Thanks so much!

1K Followers on IG and Featured at The Metagrobologist!

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I had a couple of really cool things happen to me today that I wanted to share. First, as you can see above, I reached 1,000 followers on Instagram! Considering that I can’t tie my public awareness to any major films, television shows, hit records or even a shout out from my local newspaper, that’s really pretty damn good! If you’re not following me on IG, get on there and find out what all the fun is about! You get to see tons of in-progress shots and little video clips of me makin’ the marbles do their magic.

Secondly, remember that little bit up there about public awareness? Well, that’s changing! Right around the same moment that a guy on IG with the user name “highheeledchicken” was tapping the “Follow” icon, a web site called The Metagrobologist was featuring me on their web site! Metagrobology is the study of puzzles, so the site is all about studying and having fun with puzzles. Since there are many mechanical puzzles that are also very artful, and since my work contains puzzle-like features at times (“Can you figure out which track the marbles are going to take based on the various switches and paths that are available?) they felt it was a good fit. They called my work “amazing,” and “Really cool!” right here! It’s a pretty fun web site, and they take their puzzles both fun and seriously, both of which I can relate to very well! Stop in and have a look!

tomharoldmetagrobologist

Invitation and Publication

Tom Harold Rolling Ball Sculpture gues post.

The Metal Store published my guest blog post, a brief history of my career with photos and video.

Several weeks back on one of my Facebook groups a post popped up about guest blogging. The writer of the post was looking to create content for a metal supply company’s blog and called for offers from artists. I jumped at the chance. It was a fun way to share a little more about my work and make sure my message was going out to the right crowd.

I wrote an article about my piece Tillander, as I’d just completed it. I sent it off, and the blog manager wrote back and said, “We like it, but do you think you could write more of an introductory piece about yourself, and then we’ll run the other a bit later?” Two articles? Yes!

Today the first article was published. It’s a nice little piece that details my general background from youth up until present day, an examination of the somewhat meandering path that got me to where I am now. It’s all original writing, so you’ll see nothing else like it anywhere on my web site. You can click here for my art career post on The Metal Store’s blog.

I hope you enjoy the post, and thanks for supporting my art!

Two new sculpture videos! “Emerging” and “Trio.”

I’ve been so busy I haven’t had time to keep up on the posts, but I’m improving! I actually didn’t realize I’d missed last week’s, so you get TWO this week! How cool is that? (Answer: Extremely!)

“Emerging” is a great little piece that has two spirals plus a fantastic coil. The frame on this piece is a particular favorite accent of mine, and I would not be at all surprised to see something similar show up on future pieces (hint!). This piece was priced at $200, a range I’m trying to maintain for this whole series of smaller pieces. Someone already likes it enough to have made it a permanent part of their home.

My most recent piece is “Trio,” a complete devotion to the ever-popular track element, the spiral. Giving it its name are three spirals of varying sizes. It has that wonderful hypnotic effect that somehow straddles the line between calming and energetic. This one is also priced at $200, and as of this writing still available. You may purchase it through my web site, www.tomharold.com.

Thanks again to those who continue to check in on my work and offer support! Assistance is always greatly appreciated in the form of forwarding my videos to anyone you feel may enjoy my work, as well as comments, and Likes. It means a lot!

Finally getting back to work!

It has been quite a while since I last posted, and that’s not by choice. Of course, the holidays bring with them the usual bustle of various sorts, but that had little to do with my step away from here and from the shop. The cause of it all goes way back to my teenage years when I was in a car accident and cracked a vertebra in my neck. (Note: Always wear your seat belts, kids!)

As time has passed, the old injury on occasion makes itself known to me. This time it happened because I was talking on the phone too long with the phone crooked between ear and shoulder. I know not to do this, but sometimes it slips my mind. It started bothering me, so I put the phone on speaker, but apparently all had been undone already, as I awoke in the middle of the night with my neck screaming in pain. I’d done myself a number good this time, and for weeks on end all I could do was lie flat on my back or sit upright and look straight ahead. No health insurance meant I couldn’t just run off to the doc for a checkup. I also was out of work, because I could hardly do a thing physically. I finally went to a chiropractor with the help of some family intervention, and things began to improve. I am now 50% better according to the doc, but it feels like 80%. It’s definitely better than when any movement at all sent jabs of pain up my neck and how sometimes all the muscles in my left arm would start jittering.

The doc said I could finally start doing things again if I took it easy, so today for two hours I worked on the big sculpture commission I’ve been working on for the past thirteen months. It needs a different motor put on for the lift, so I am working on the retrofit. I worked carefully, and there was only one point when my fingers started tingling (pinched nerves in your neck make your fingers go numb), so I stopped what I was doing and moved the work around.

It wasn’t a huge day as far as sculpture progress, but it was a huge day for my own progress. I hope to be back to getting some real work done soon. I hope to get this big sculpture finished so all of you here can check it out! I also have a new commission that I got back in late November that I would love to build and show off as well. That one is going to be pretty special with some very unique elements added to it that I’ve never seen on any RBS ever. Fun stuff in store, so stay tuned!

Dremel Finishing Abrasives for Metal Sculpture

I have been experimenting with several different small abrasive buffs for my Dremel. I used these to clean up the discolored spots on a welded stainless steel sculpture as I wanted this piece to look rather uniform in color. I took the time to make notes on which ones I liked for my own reference, but it occurs to me that others may benefit from this information, so I decided to make a post out of it. As with anything of this nature, you may have different preferences as far as finish goes. These are the tools I tried and my impression of how they suited my needs. Maybe it will give you a good start in your search for some appropriate abrasives for your project.

NOTE: When I reference “my finish” I should state that the sculpture pieces were individually cleaned with a scrub pad before they were welded together. The piece overall had a satin sort of look to it, so this was what I was looking to duplicate when cleaning weld joints.

Dremel 512E – Fine Grit (320) Buff – Good results. Removes discoloration acceptably and leaves a clean satin finish that is close to the finish already present on my sculpture.

Dremel EZ473 SA – 220 Grit Detail Brush – This tool looks like a fan wheel made of curved rubber fingers. It leaves a clean satin finish. It does not seem to remove any metal. It gets some spots that a buff cannot reach, but it misses others. It is rather durable and lasts a fair while, probably as long as a buff or possibly a bit longer. It is acceptable as a buff substitute.

Dremel 530 – Stainless Steel Brush – This tool has stiff bristles and looks just like a tiny wire wheel. (Dremel makes a standard steel brush, but don’t use it on a stainless as it will discolor the metal and contaminate it as well.) The stainless steel brush works well on tough spots, but the brush itself is narrow and touches only a small area. It is not good for large areas as you end up with a brindled or sort of tiger-stripe look when trying to even out the appearance of the finish. It will get in narrow spaces well.

Dremel 511E – Package combines one Medium on Coarse Abrasive Buff – Why they don’t sell just

Just a quick update and a few chords

I have started reading from the site “The Art of Nonconformity,” written by Chris Guillebeau. It’s giving me lots of exhilirating and terrifying thoughts and feelings. Chris is all about the “can.” I so dig that, man, and it’s scary to think that whatever you dream of doing you can accomplish if you put your mind to it. At least it’s scary for me, because I have some big dreams, and they may very well require me to make some big changes in my life and do some things that are not exactly the most comfortable for me. More on this later.

As a quick note (for realz, yo!), two days ago on 4/6/11 I played eight chords on the guitar without looking at any sort of tablature while doing so. I also was able to identify each chord in my head as I played it, so I know how to play them and what they are as well. This is good stuff. I’ll doubtless be as good as Steve Vai within a week, for sure.

Actually, while there is some question as to the attainment of my Vai/Hendrix/Vaughan/insert-name-of-your-insanely-good-guitar-hero-here status, I can say that it is a leap for me. It proves I CAN learn to play some guitar if I put my mind to it, which is something I used to flat out deny when I was in college, and something that I questioned for many years following college. Seems I was wrong about me. How about that? Maybe there are some other things in life I thought I couldn’t do about which I may have been wrong. Just what in the heck might possibly happen if I stop believing that I’m incapable of things?

What would happen to you if you stopped thinking you were incapable of things? Career change? Taking up pottery? Learning to dance? Forming a great relationship with someone special? Getting out of debt? Running a marathon?

Feel free to list some positive thoughts on achievement in the comments section. I’d love to hear from you.

I made another thing

Man, since January I’ve not posted? Wow. I guess I’ve had a lot of other things going on, many of them either not blog-worthy, or things I just can’t share (but hope to before long).

At any rate, I can share this sculpture piece. I completed it a little while back, but I’ve had to do some vetting of photos on Flickr, because I’m nearing my limit for the free account, and I’m having a hard time justifying spending cash on the paid account. Sure wish I could find some money lying around. Oh, I did try the lottery twice in desperation, probably around January, but the winds did not blow in my favor, so I just picked up additional work. More on the additional work in a moment.

Sculpture:

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Nifty, huh? I kind of love it, although it was a ridiculous pain to build. It fought me at several points. There were odd little things to square away to keep marbles from rolling all over the floor, and then I went and got really crazy and built that seemingly simply brass piece at the end. I was under a tight deadline, and the “steps” seemed like such a simple idea. It was brilliant!

Brilliant, yes. Simple, no. I figured it would take me, well, I don’t know how long, but not long. Maybe I was thinking an hour or two. I believe it was closer to six or eight, and with the schedule I was on at the time, that was like adding another week to it. It did underscore my need for some metal-bending tools, like a brake or a small press. With a press and an appropriate die I would have had that thing made in half the time.

However, it all turned out very nicely. The steps are of brass, and since they are suspended rather freely on the copper they have a fair bit of ring to them when hit by the marbles. It’s a nice affect, and precisely what I was going after.

I did learn a lesson from this, and that was on the practical side of time investment and pricing. I think I priced this appropriately at the time I was commissioned for it, but in the future my prices will have to change. I simply cannot produce work like this in a short time span. I tracked the hours on this one, and it overshot my estimate by fifty to seventy-five percent.

I am quite pleased with this one, though, and with all the help I received on it in various forms from other people. It sapped a lot of my time at some rather crucial points, and the understanding I received at those times was pretty wonderful.