They just can’t be straight!

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I find it kind of impossible to do certain things with sculpture. Aside from the first one I ever did, none of them have had support legs that were straight. Every one following that first one has had curved legs. They just look nice to me like that, and they seem to fit with the feel of the curves and the motion of the marbles. These were the same way. I could have knocked them out in no time flat if I’d made simply straight pieces, but I spent an evening bend things up. I just…can’t…make them straight! NO!

It’s rather simple, really.

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Want to make endless loops and turns and bends and ramps of wire? Take a long piece of wire, bend it into a “U” at one end, and how you’re started! Just, you know, bend it some more. Or, really, if you’re into minimalism, I guess you could just go with what we have here and call it good. I tend to complicate things a bit, though. I’m weird like that.

More art with Jem

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The one on the right is looking pretty sweet by now. This evening we finished up the separate pieces of that project, so there wasn’t a way to switch on and off on it. To give both of us something to do, we decided to start another project and swap between the two. I pulled out a scrap that was sitting around and seemed to be of a size that we could finish the two projects at about the same time. I started the design while Jem colored on the larger piece, then she added her own design work to the smaller one while I traded off and did color on the larger piece. I think Jem did some amazing color work on the smaller one. We’re tossing around different ideas on how we want to use color in the future, and I’ve purchased a few different supplies to help us out on some things later. This just keeps getting more and more interesting.

More with the colors

As I mentioned previously, I’ve been doing some experimenting, some playing around with drawing. The interest in colors first came out when I did some work with the Artist’s Way, one of my Artist Dates where I goofed around with crayons and markers. My friend Darryl inspired me to take it a step further when I saw some of his really awesome colored pencil abstracts. He then very generously moved me further towards carrying things out by giving me a bunch of colored pencils. I started, got really into it, bought some more, worked on it more, bought even more pencils, and now I have some additional progress to show you.

Fun stuff, huh? It’s kind of hard to do work like this, because part of my brain keeps telling me I’m screwing around and that this isn’t “real art.” This is the part of my brain that’s always telling me that, no matter what I’m doing creatively, it’s not valid for some reason or other. The reasons vary, but they’re generally along the lines of “You’re not good enough.” I realized last night that the fact I’ve managed to get so far along on this little project shows how much progress I’ve made in not letting that little voice get the best of me these days. In years past that voice was sufficient to keep me from even starting most projects.

It is almost scary to note that, after years and years and years of not allowing myself to do anything like this, I now have two complete rolling ball sculptures (soon as Tina finishes up that awesome base for the second one, anyway), I’ve written 86K words of a novel, and I’m able to finish little fun drawings like this one. This ability to finish things, this is – as far as my own personal growth goes – huge stuff. I’m extremely grateful for it. You know what happens when you become able to finish things? You finish them, then you can feel good about them, show them to other people, share your work, your self, your life. It’s incredibly powerful.

Something else kind of wild that has crept into this little exercise is what appears to be some kind of learning process. I thought I would just basically be scribbling on a piece of paper, goofing off with pencils, randomly assigning colors here and there with no cause or concern for the total outcome. Yeah, I think that went away when I left the first pencil. Not that I’m incapable of just letting myself go and not freaking out about the outcome (thought that’s harder to do when I’m really tired, so I try not to do this unless I’m rested), but I’ve noticed that I’ve been making conscious decisions about this apparent random display of color. Sometimes I’ve chosen colors that I think will go with each other well, other times I hope that they won’t match at all, that they will clash, or that they will blend almost seamlessly. I can’t really help it. It just happens. Sometimes I just go, “….ummm…I think this needs to go there,” and I don’t even know why, but I picked that color, even if I didn’t know the reason for it. When you’ve spent this much time away from embracing such things, having them come out at you is kind of scary. Exciting and fun, but also kind of scary. I didn’t know I thought of things in this way, that I had these preferences, or that I flat-out enjoyed the hell out of this stuff so much. It’s really fun!

Oh, and as for it being goofy and a waste of time? I had my stuff out with me last Saturday when I met up with some friends. One works as a graphics producer. She saw the drawing and said, “Oh, that’s cool. You should send that in to a company for a design. That would be good for, like, a border on a paper plate or something. They do that on spec. You send it in, and if they like it, they give you a thousand dollars and…” My eyes kind of glazed over after the words “give you a thousand dollars,” so I need to revisit this subject with her. Nothing at all may come of it, but I have at least learned from that short bit of conversation, that the world does reward creative people for their work. Not all the time, and not always equitably, but it does happen, and right now I sure could use any sort of income from all this output! You’ll be sure to hear about it if anything more happens.

In another small but significant bit of news, I finally went over to the welding shop yesterday after my dental visit and gave them that little gear and shaft that I need to have turned down. They said they couldn’t do it, but the great news was they were able to give me the name of a shop that could, and it turns out the shop opens at 7am and it’s kind of on my way to work. If they can do it, this place would be ideal, as I would be able to drop off and pick up things without having to lose time from my regular job. I hope to stop in there tomorrow and see what I can see. If this flies, then you’ll finally start seeing progress again on my motorized RBS! Woohoo!

Stay creative, folks. You will be rewarded.

Colors, colors, colors

I love color, lots and lots of color. I don’t think you’d ever know that by looking at me personally. I seem to kind of confine it to doing art work, at least for the time being. When I have the opportunity to exploit it, I do. Here’s a little something I’ve started working on that shows my tendencies to occasionally indulge in mucho color usage.

Exprimenting with colors and lines

Exprimenting with colors and lines


Fun stuff, huh? I started on this maybe a week or so ago. I started small – this is a little sheet of 5″x3″ notepad paper – because I just knew I’d wind up doing something rather ridiculously detailed, and if I didn’t do it small it would take an interminable amount of time to finish. Well, that and that fact that I’d seen someone else’s work like this, and his stuff was so awesome that doing anything larger than this seemed kind of impossible. What can I say, I guess sometimes it’s best to start small. It worked for the sculpture stuff, didn’t it?

I had some help on this. The guy, Darryl, whose work I’d seen, really is talented. So much so that I looked at his work and went, “Woah. Awesome! No way I can do that.” I couldn’t stop talking about it, though, and every time I saw Darryl I mentioned it to him. He responded by showing up a few times with examples of his work for me to see, and one time he added. “I have a few of the color pencils I used, some extras. I’ll bring them out some time.” A few weeks later he shows up with not five or six pencils like I’d assumed, but over fifteen! Tons of colors! I was very grateful. I thanked him profusely, took them home, and immediately almost immediately became afraid of them and put them in my drawer.

Darryl, the next several times I saw him, asked if I’d been working with my new pencils. For a while I told him I was really busy, which was partly true (see rolling ball sculpture posts), but after several more weeks I finally just said, “Man, you’re stuff is so cool I’m just afraid that mine is going to suck.” The next time I saw him he handed me a drawing of his and said, “Here. This is for inspiration.”

That pretty much did it. I put the drawing on my desk where I could see it every morning when I wrote. That action kept drawing on my mind and made me realize I needed to get the pencils out where I could USE them, so I got them out of the drawer. Not long after that I looked at one of the many note pads scattered about my house and said, “Okay, I can do this. I can do this if I start really small.”

Most of the work on the drawing has been done with me standing at my kitchen stove, pencils scattered all over the place. It’s nothing groundbreaking, no masterwork of hue and design and concept, but it is pretty fun, and what I learned in the Artist’s Way is that I need to pursue creative activities that make me feel good, no matter what the actual output is like. This may pass quickly, or morph into yet one more thing that sucks up my free time. Whatever the result, I need to follow my gut, which right now basically says, “Play around with squiggly lines and a bunch of different colors. You need to do that.”