Done! …for now

Friday night the 6th I finished all the preliminary work on the latest rolling ball sculpture I’ve been working on, the so-called “martini” sculpture. It’s not quite finished, however. From here it goes on to the wonderfully talented Tina Hanagan who will design a custom stained wood base for it. It’s going to be awesome when it’s done.

Here are photos of the finished wire work. You can click on them for complete, larger images.

I dropped it off at Tina’s on Sunday, and was very impressed and excited to see that she had already begun work on it. Upon my last visit Tina had used some graph paper to mark the location of the feet of the sculpture along with some other significant points. Based on that information, she had already begun to draw myriad circles, triangles, and other schematic-looking designs. “Yeah,” her husband, J.J., said, “she’s been talking a lot about it. ‘Should I do something that complements it, or that’s a counterpoint? What kind of wood should I use?'” He laughed, “I suggest stuff, and then she does the opposite of that.”

Dudes, this thing is going to be so cool! I can’t wait to see what she comes up with! She has already started blogging about it based on the first visit I made, and she’s even put up some pics! Check it out!

It was kind of weird dropping it off, though. I was goofing with it, showing J.J. how it worked. We ran the marbles through it a few times, and I said, “You know, I didn’t think much of it the other night when I finished it. I just kind of shrugged my shoulders and went, ‘Well, I guess it’s done,’ and went to bed. I think I’m kind of starting to like it now.”

I’m not sure what’s up with that. I don’t dislike it at all, but it didn’t affect me right away like when I completed the first sculpture. I really can’t figure out why that might be, although finishing the second was definitely not like sticking my neck out for the first time and seeing if I was even capabled of one. I’m getting pretty jazzed now that Tina has her hands on the whole thing, though, and I think it’s really going to be outstanding once the entire piece is completed. I think I’m repeating myself there, but, well, I’m pretty stoked!

For anyone keeping track, recent sculpture music has been:
The Replacements – All Shook Down
Dusk Till Dawn – The Soundtrack
Random songs off of my playlist from Project Playlist

Spock’s Martini – soldered, not stirred

rollingballsculpturemartini001

Just a quick update tonight, as I’m working against a tight deadline, and wanted to get this up before the rest of the week slips by. I got some time with the sculpture on Friday night, and spent it working on the final spiral at the base of things. t was a lot tougher than it looked. I don’t feel I did my best work on the exit ramp for it, but it is functional, and not terrifyingly ugly, so I call it a success!

Here are a few other views:
rollingballsculpturemartini003
rollingballsculpturemartini002rollingballsculpturemartini004

This last photo shows the final piece of track that I have to put in place. So close! Or so it seems. It will likely take me at least an hour to form and join this little smidge of track up to the rest of the sculpture. The work that makes all those angles look nice and the marbles roll well seems to take a lot longer than it should.

Gotta go, kids. Not much time to blog this evening. I do have plenty of cool creative news to present, however, so I hope to bring you more before the week is over with. I’ve gotten together with my friend and fellow artist Tina Hanagan for some initial thoughts on making the base for this piece. I’m happy to say she’s very excited about it, as I am. Initial tests on some of her existing work indicate that this thing is going to look truly smashing with the addition of her talent to it. Stay tuned.

And then I got angry

This talk as of late, of these things not getting done, of not being satisfied with progress.  This has not stopped.  It came up again at my NaNo novel group on Saturday.  Things I’m not doing.  Things I want to do, to accomplish.  Feeling as though the vast majority of otherthings are a complete and total waste of time.  This thing, that thing, the work thing, the day job thing, the doing laundry thing, the cleaning house thing, the eating, the sleeping – these are all sucking the life out of my life.

I had an excellent Saturday afternoon where I worked on the pottery that I’ve been painting for the past three months or so.  It’s total amateur work, but it’s fun,  you know?  I like it.  One of the girls who works there now jokes with me.  “Done yet?” she asks when I come to pay my fees for another 90 minutes of studio time.  I told her there’s a light at the end of the tunnel finally.  I love the work, and I wish I could do more. 

In a phone call with my friend Jem (she’s totally outrageous. totally.) I commented on how I’d like to do a lot more ceramic work.  “I’d like to do a plate to go with it.  Shoot, what I’d really like to do is an entire set of plates, but at three month’s worth of Saturdays for a single bowl, we’re looking at a year and a half for six plates.” 

Just then I walked by the dining room table where my box of six pounds of marbles sits.  “Oh, Outrageous One,” I said, “these marbles are just sitting right here.  The whole box of them.  I’m telling you how I’d like to do a whole set of dinner plates, and here is a box of marbles I ordered months ago, none of them used yet.”  I picked up handfuls of them and let them fall into the box, admiring them.  “They’re gorgeous, and I’ve not used a one of them.  This is terrible, and that’s the thing.  I have to keep doing all this other stuff, and it’s getting in the way of the real stuff I want to do!  I want to use these things!  I want to build a bunch of sculpture!  I want to paint pottery or build cars or write books or whatever, and all I’m getting is about two hours a week to do any single one of these things.  This sucks, man!”

“Yeah, that sucks, man,” quoth Her Outrageousness.  “I gotta go.  I’m at Old Navy and my roommate is giving me a nasty look.  I gotta try this stuff on and get out of here.”

“See, you understand,” I said.  “Later.”

That conversation only got me more exasperated.  I was determined that somehow I was going to get something done before the weekend was over.  This situation sucked, and I wanted to put a bullet in the suck.  Something was going to happen.

This is what happens to harmonicas when they die.

This is what happens to harmonicas when they die.

I had no free time until 1pm the following day (Sunday for those keeping track).  At that point the house needed some stab at cleaning from me being sick and non-active the previous week, so I cleaned up crap, and in the process wound up with a bunch of dead harmonicas that needed to be parted-out for their brass.  See aside there.  It’ll be used for sculpture work – at least I hope so.

Soon after, my brother arrived and work had to be done on the Chevelle for some time.  This is, again, one of those things that seems to get in the way, but if I want to race in the spring, it makes more sense to fix the car now rather than fixing it when we should be racing.  Once we got all the clutch and carb linkage hooked back up, he took off, and it was back to the basement again.

I managed to get nearly three more hours of sculpture work done.  Stuff happened, as they say.

Sometimes it takes a lot of wood to make a wire sculpture.  Who knew?

Sometimes it takes a lot of wood to make a wire sculpture. Who knew?

This picture looks really odd, but I couldn’t get it to come out any better.  At least you can get some idea of the foolishness I went through.  This stuff looks all lovely and floaty when its assebembled, the marbless swirling and wooshing through their graceful little curves and bends and all that jazz, but when you’re putting it together, you just go, “Huh – how am I going to get that to stay up there all floaty-like while I hold a hot blue flame up to it and melt metal to it?”

Wood.  Lots of wood.  Well, that, and a pair of trusty Third Hands.  I could probably use another Third Hand (oh, the jokes!  bah.), but I have two for now, and I get away with it.  You see here how I have the craziness all blocked up and wedged together very delicately and precariously and stuff?  Quite an adventure, I assure you.

There were many minutes of prep work before I even reached that stage.  Lots of filing of pieces, and scrubbing with steel wool, fitting of things together, double-checking, application of flux – it was all groovy, and went splendidly well, I have to say.

Following all of that, it was time to take the plunge.  Torch time.  I often get to these points and really have no clue if what I’m going to do will really work or not.  There are all these subtle little angles at work, and it’s always possible that I’ll execute the maneuver, and then find out that what I did wasn’t what needed to be done, or what will logically work in a real-world situation (I don’t really like the real world, but it interjects itself into my work).  Usually, there’s a little praying involved, and then I just bear down with the torch and start heating stuff up.

Top view of soldered spiral.

Top view of soldered spiral.

Lo and behold, it appears I got lucky!  Check it out.  Not only does this crazy contraption hold itself upright (an early concern), but you can actually roll a marble on it.  The starting ramp is a little flatter than I’d like, but I think that has to do with the whole sculpture sagging a bit under the weight of the added metal.  This will have to be dealt with as I progress.  Looks prett y hip so far, though, and I did get one really fantastic solder joint made.  It looks like a little piece of solder-y museum artwork.  I’m happy to note that tiny bit of improvement.

Bottom view of soldered spiral.  That's some majestic-looking stuff there.

Bottom view of soldered spiral. That's some majestic-looking stuff there.

Ah, and check out the awesomeness from below.  Kind of cool, eh?  For some reason the whole thing takes on a rather 1970s feel from this angle.  Kind of looks like a prop out of Star Trek, maybe something that Spock would have had in his private room.  You know, something to chill out to while he was listening to his Lionel Hampton LPs and drinking a Miller High Life.

Anyway, the cool thing in this picture is that you can see the solder joints are good enough to hold the spiral out there in midair by itself.  It’ll need more support work in a spot or two, but this is a very good start.

So, after several hours I have one new element added to the frame.  It doesn’t look like adding the others will be as straightforward as I thought, but…eh, whatever.  I guess the fun of this is figuring it out.

By the way, I’m all happy about this progress and all, but I want to have at least twenty hours a week to devote to stuff like this, if not forty.  I love this stuff.  I love making stuff, building stuff, creating stuff.  I’m feeling a definite lack in this right now, and it’s driving me mildly nuts.  Glad I could get a little out of my system.  I guess I got to work some anger out.