Yes, it takes that long!

Sometimes I beat myself up in this whole creation process. The expense of time is something that really gets to me at present, because I don’t have near as much free time to create art as I would like to have. If I work on a project, or even a portion of one, and it takes longer than I think it should, I can be pretty hard on myself about my supposed “poorly managed time.” Most of the time this is totally unreasonable. Actually, maybe it’s always unreasonable.

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Today’s post is a perfect example of that. I conceived the basket assembly shown here as a means to keep the marbles from accidentally being dropped onto the glass plant terrarium that will hang near where the marbles are loaded. It was an excellent and attractive solution to the problem. In my head it was very straightforward. It seemed like such a simple solution couldn’t take much time: basket, wires, welding. Two hours, maybe three? No.

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I wound up spending hours and hours on it, perhaps six. My first reaction was, “What! How could that take so long! It’s just – it’s just a bunch of semicircles in a frame! That shouldn’t have take so long to do! I should have known better! I must not be working fast enough! How could I let all that time slip by?”

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Later I stepped back and did some really quick, really basic math. There are 28 upright pieces forming the sides of the basket. Each of those pieces required on tack weld to hold it in place, so that’s 28 welds right there. Then I had to go back and tack weld them at the other end so that both ends were secure, making 56 welds.

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Once everything was tacked and secured, I went back over all of them on both the inside and the outside of the basket using filler wire to create attractive finish welds that would also be completely solid and sturdy, assuring that no amount of vibration from loading the marbles would ever cause one of the welds to break. That makes four additional welds for each “leg.” Four welds times 28 equals 112 more welds. Add that to the tack welds and we have 168 welds.

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Two main pieces form the upper lip. Adding those pieces to each other made for at least four more welds, probably six. Now we’re up to 174 welds.

One hundred seventy-four welds. How long does it take to make a single weld? Not too long, a few seconds at most. For many of those welds, however, I didn’t just make the weld. Most of the weld joints were not conveniently positioned. I had to move the sculpture, rotate it one way or another, lay it on its back, turn it upside down, I even had to clamp other pieces of metal onto the sculpture so I’d have a place to rest my hands while welding. That all adds to the build time.

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And all of that doesn’t take into account the time I took designing it, bending the wire to the right shape, cutting and fitting all the pieces together. I was really lucky if something fit together on the first try. More often than not I had to grind things to fit just right. More time.

Oh, and cleaning! Let’s not forget the cleaning. That was fun to do after it was all burnt and ugly looking, but it still added time to the build process.

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It ended up taking three or four days of available time to complete. Considering all that, well, I didn’t do too badly. Most of the pieces I create for these sculptures are completely individual, even to me. A big part of why I do what I do is the individuality and uniqueness of each piece. It means that certain things are just going to take a long time. The big benefit to all that effort, however, is that not even I can create two works that will be exactly alike. I hope the results speak for themselves.

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So I’m going to keep practicing not being so hard on myself, save time where and when I can, and keep working to produce truly unique and special pieces of moving art. How’s that sound?

Challenging myself and new sculpture video for “Dropping In”

It has been a tremendously productive past few months, and here is one more result of my decision to create one new piece a week for as long as possible. There’s been a change in plans, but I’ll fill you in on that later. For now, news and video on the new sculpture!

Titled “Dropping In,” I deliberately made an effort to create something different with this one. I’d had a thought around the beginning of the year for a method of creating track that would be rather quick, but also brought with it some limitations. However, limitations always translate into a pattern of thought like this: “Hmmm…I could do that, but that would mean I couldn’t do these other things. Huh. What if I couldn’t do those other things? That seems like a bad thing, but it just means I have to find another way of reaching my goal. If I can’t do X, then…then the challenge is to find a Y that will resolve the issue, and quite possibly be awesome in the process!”

This line of thinking worked its way around in my head for a while. Then “Lunar Walk” showed up on my work bench piece by piece, and I realized it was time to play around with some of those ideas. Turns out they worked pretty well! The sculpture looks really cool and is different from what you very often see with rolling ball sculpture. I enjoyed building it and its function. Even better, when other people got a look at it, they liked it as well. Success!

Once that piece was done I was ready to engage in my idea 100%. I was going to make a bunch of perfectly straight track sections in a whole batch and then…well, I didn’t know what, but there was only one way to find out!

Turns out it really was a challenge. Curves create a certain type of feel. They also allow for gradual changes in depth and speed. I was losing a lot of advantages in some areas, but it just made me more determined to figure out something cool with my idea.

I suppose I could have made my track sections bowed or wavy, but I really wanted to go with the idea of making this piece with nothing but straight, flat track. I could see something in my head that really wanted to take shape. Once I started laying the completed track sections out on the work bench, things really began clicking. The “steps” portion of the sculpture just seemed too perfect, and I was getting excited about the bigger challenge of keeping the track only gradually sloped so that the marble wouldn’t roll too quickly. Anyone who builds RBS will tell you that controlling roll speed at a slow pace is difficult!

When the basic track route was laid out I started welding some of the pieces together. I had no specific frame in mind, but once I started looking at the steps taking shape it snapped in place: strutted uprights! I immediately thought, “Oh, man, now you’ve done it. That’s going to take a LOT more time!” Remember, I was trying to get this piece done within one week. Just building one upright with struts is time-consuming, but here I had the idea for a triangulated piece. That was going to take even more than triple the time it took to make a single-sided one! Nevertheless, I knew the idea was perfect. I couldn’t NOT build it after having seen it in my head.

Hours of work followed. The uprights turned out great, but required a good deal of patience in setup and welding to keep them from warping horribly. The track worked with the frame visually even better than I could have hoped! Keeping the track sections slanted at just the right angle took additional patience and lots of adjustment, but once I had it working it was right on.

I’m very pleased with the end result on this one. I imagine that it is not to the taste of everyone, but I appreciate its uniqueness, and I’m sure there is someone else that feels this one is just right for them. I was also struck with the idea that the open area in the sculpture could be used as a mounting point for an award or a photograph that I could add at the client’s request. I know if I worked somewhere, say an engineering firm, and I was given this piece of art with a plaque affixed to it, I’d be a lot happier than if I got the usual brass and wood plaque from a trophy shop. This is one to remember! Plus, every single person coming in the office would want to play with it! How many other trophies can do that?

As mentioned earlier, my goal has been one new piece a week for several month’s worth of time. I have just received two new sculpture commissions, both of which have me extremely excited! These are larger works that will take some time to complete, so the small pieces will be on hold for a while, but I will continue to update here with other news as I have it.

Thanks to everyone who supports my work. I appreciate your efforts in forwarding my videos and putting up comments on various internet outlets. You help me do bigger and better things!

New Sculpture Video: “The Good Bean” National Kidney Foundation Fundraiser

I’ve had my shoulder up against things, pushing to get work accomplished, and I have more to show for it! Here we have another super-cool video of a great piece I did as part of a fundraiser for the National Kidney Foundation. It’s called “The Good Bean” (lots of health professionals refer to kidneys in slang as “beans,” so there ya go!), and the frame is shaped to mimic the NKF’s logo.

You always want to produce something that is going to please people, make them happy and proud to be the caretaker of your work. Smaller sculptures can sometimes be a challenge, just because they are brief, and you can’t do things like broad, sweeping curves or extremely tall coils and the like. I wanted to come up with a little something that would set this one off and make it unique.

The answer came in the form of the widening track drop-through, the part where the marble rolls out to the end of the straight piece of track, and just when you think it’s going to shoot right off the end, it slips between the rails and drops down onto the track below it. This can be a very tough element to get functioning properly, as it’s all about the tolerances, and as I’ve mentioned before, marbles are neither round nor the same size. Since I was working with a single marble, this suddenly made the whole deal a lot easier, and I knew this element would be the perfect highlight for “The Good Bean.”

Not to neglect the rest of the sculpture, I created some very nice curves plus a pretty darn large spiral that took ten feet of wire to create. The end result is a really fabulous desktop piece. The woman who won the contest is very happy to have received it, and I’m glad it went to someone who will get lots of enjoyment out of it.

Check out the video below to get the real effect. Please feel free to contact me if you’d like to discuss a piece for yourself. I’d be happy to discuss the possibilities.

“Lunar Walk” new sculpture completed with video!

It has been a very full day for yours truly, but the sculpture video must be posted before another moment passes! Especially this one, because it is a bit of a departure for me in some ways. You’ll see what I mean, and I’m sure you’re going to check it out!

I have been trying to keep the price of this series of sculptures right around $200, but Lunar Walk just begged for a little extra treatment, and I had to do it right. It’s slightly higher at $300, but still a very reasonable office piece and well worth all the effort I put into it. Do you know anyone else who has something like this? No! And you very likely won’t anytime soon either. Now how cool is that?

I’ll let the video speak for itself. I do hope you enjoy it. I loved the creative stretching this piece afforded me. Oh, and take special note of that crescent moon frame as well as the relaxed pace of the action, both characteristics for which this piece was named.

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Two new sculpture videos! “Emerging” and “Trio.”

I’ve been so busy I haven’t had time to keep up on the posts, but I’m improving! I actually didn’t realize I’d missed last week’s, so you get TWO this week! How cool is that? (Answer: Extremely!)

“Emerging” is a great little piece that has two spirals plus a fantastic coil. The frame on this piece is a particular favorite accent of mine, and I would not be at all surprised to see something similar show up on future pieces (hint!). This piece was priced at $200, a range I’m trying to maintain for this whole series of smaller pieces. Someone already likes it enough to have made it a permanent part of their home.

My most recent piece is “Trio,” a complete devotion to the ever-popular track element, the spiral. Giving it its name are three spirals of varying sizes. It has that wonderful hypnotic effect that somehow straddles the line between calming and energetic. This one is also priced at $200, and as of this writing still available. You may purchase it through my web site, www.tomharold.com.

Thanks again to those who continue to check in on my work and offer support! Assistance is always greatly appreciated in the form of forwarding my videos to anyone you feel may enjoy my work, as well as comments, and Likes. It means a lot!

New Sculpture video “Subside-to-Side,” and It’s Been Too Long!

Friends and family – or maybe just friends, I won’t make any assumptions on my readership – I apologize for having been away from the blog for…nearly a whole year! It’s ridiculous. I don’t have any good excuses. Are there any GOOD excuses? Act of God might count, I suppose. Death, but that would curtail my writing permanently. Not too many others.

I can safely say that my time away has been due to two things. One, being pretty busy with “real life” stuff, which doesn’t quite cover all the free time I’ve had. And two, being somewhat overwhelmed by a lot of talk/advice I’ve read around the interwebs about “growing your audience through blogging.” I’m still confused by what it all means, and the more I think about it and try to come up with what it seems I should be writing, the longer the expanse of time grows between that last blog post and this one.

I’m kind of tired of it, the not writing. I’ve actually been very hard at work with the art, and I’d like to tell you guys about it. Maybe I’ll never figure out how to write the perfect blog post that will drive seven million people to my blog, half of which will look at my site, one-sixteenth of whom will write me once with a question, and one percent of that who will either buy something from me or hire me to do a commission.

Know what? Those numbers are probably all too high. Even if there were seven million people, the following numbers, I have been told, are far, far, FAR lower, which is why you’re supposed to craft perfect blog posts. *sigh* Get it?

At any rate, how about I just let you know what’s up around the ol’ fantabulous art factory? There have been several new pieces I’ve created since June of last year. I’ve done “#30 Molar” for a dentist’s office in Indianapolis, and following that there was an amazing whirlwind of creativity and lack of sleep and sweat that resulted in “Meer-col,” both of which are viewable below.

Following the completion of “Meer-col” the holidays rolled in, and it was hard to get much done. Wait! That’s not true at all! I completely forgot about a set of still figures I did just for fun and as a change of pace. I still have a few of them left. I’ll blog about those separately, as they seem to deserve it, but suffice to say that they are little people around 3″ tall that have marbles as heads. Their bodies and attending accoutrements are of stainless steel, mostly 1/8″ rod like my rolling ball sculptures, but also some smaller wire as well as some flat sheet here and there.

Following my still figures and the end of the holidays I decided it was high time to get back to work on rolling ball sculpture. I had purchased a small batch of special hand made marbles. After looking over them carefully I realized that they were ideally suited for small sculptures. In addition, I have been wanting to increase the rate of growth of my portfolio. The larger pieces are wonderful, but they can take several months of free time to complete. I wanted to experiment with doing smaller works as well as make a statement about my abilities in completing a project in a shortened frame of time. These smaller pieces would also be an opportunity for those with smaller budgets – or display space – to take part in my art work.

To that end I have been working at a somewhat fevered pace and have completed several sculptures since I began in January. Making the videos takes its own time, so that has lagged a bit, but I’ve finally gotten my resources together for that work as well, and I am now able to present to you a completed video of one of the small pieces, titled “Subside-to-Side,” as well as a teaser at the end showing two of the other works that will soon have their own feature videos. I do hope you enjoy them.

“Subside-to-Side” is the first piece in which I’ve utilized sequential ball drops as their own element. They turned out quite nicely, and I think they figure well against the spirals at the beginning and end. It is listed on my web site and available for sale, so drop in and have around. Enjoy!

“Opportunity” Rolling Ball Sculpture Completed!

It has taken me nearly a year and a half to create, but my largest, most ambitious rolling ball sculptured, “Opportunity,” is finally complete! A commission received back in November of 2011 started the whole project moving. Since it was of a size and scope that I’d not tackled before, I had to make some adjustments. I had to tear out a shower that someone had built in my basement back in the 60s. I had to install more shop lighting. I had to build a wooden frame onto which I could mount the sculpture as I built it. There was a lot of work to be done before any work got done!

Finally, however, it got down to the real sculpture work, and I learned how to square a frame and how to weld a frame without having it tweak itself out of alignment. That was the barest tip of the iceberg in all the learning experiences I had with this piece, and some of them felt extremely unpleasant. I’m the wiser for it, however, and even when things seemed at their worst, even when I welded something on and then hated it and wanted to tear it off (friends said leave it alone, so I did, and they were right), I kept moving forward and the end result is nothing short of fantastic!

This piece is exactly the sort of thing I wanted to build when I first laid eyes on Eddie Boes’ “Island Exploration” video. It’s the sort of work I’ve been dying to do even when I was first learning on copper at my dining room table. I was able to push myself farther, create more, show the world more of what I am capable of building than with anything previous. And you know what? I’ve still barely scratched the surface. This one is wonderful, and I am happy and proud to have completed it, but if you think I’m going to rest on my laurels, well, you couldn’t be more wrong.

The response to this video has, in the space of hardly a week, been outstanding for me personally. Over 1,000 views already, and it hasn’t stopped! Please take a look, share it with friends and add a comment if you like. It would be a big help toward me pursuing my art and creating even grander pieces.

Finally getting back to work!

It has been quite a while since I last posted, and that’s not by choice. Of course, the holidays bring with them the usual bustle of various sorts, but that had little to do with my step away from here and from the shop. The cause of it all goes way back to my teenage years when I was in a car accident and cracked a vertebra in my neck. (Note: Always wear your seat belts, kids!)

As time has passed, the old injury on occasion makes itself known to me. This time it happened because I was talking on the phone too long with the phone crooked between ear and shoulder. I know not to do this, but sometimes it slips my mind. It started bothering me, so I put the phone on speaker, but apparently all had been undone already, as I awoke in the middle of the night with my neck screaming in pain. I’d done myself a number good this time, and for weeks on end all I could do was lie flat on my back or sit upright and look straight ahead. No health insurance meant I couldn’t just run off to the doc for a checkup. I also was out of work, because I could hardly do a thing physically. I finally went to a chiropractor with the help of some family intervention, and things began to improve. I am now 50% better according to the doc, but it feels like 80%. It’s definitely better than when any movement at all sent jabs of pain up my neck and how sometimes all the muscles in my left arm would start jittering.

The doc said I could finally start doing things again if I took it easy, so today for two hours I worked on the big sculpture commission I’ve been working on for the past thirteen months. It needs a different motor put on for the lift, so I am working on the retrofit. I worked carefully, and there was only one point when my fingers started tingling (pinched nerves in your neck make your fingers go numb), so I stopped what I was doing and moved the work around.

It wasn’t a huge day as far as sculpture progress, but it was a huge day for my own progress. I hope to be back to getting some real work done soon. I hope to get this big sculpture finished so all of you here can check it out! I also have a new commission that I got back in late November that I would love to build and show off as well. That one is going to be pretty special with some very unique elements added to it that I’ve never seen on any RBS ever. Fun stuff in store, so stay tuned!

New Sculpture Video! It’s a Ringer.

I am excited to report that I have recently completed a small rolling ball sculpture. This piece had several new challenges for me. For starters, it is a very small piece, measuring 6″x11.5″x6.5″. That’s not a lot of space in which to make things interesting! To accomplish that I used several pieces of scrap steel that I claimed out of the scrap heap at work. Visually, this piece has some real fun stuff going on.

Secondly, the sculpture is composed entirely of mild steel, which means it will rust if not coated with something that serves as a moisture barrier. I could have used standard paint, but that would wear away after a while where the marble rolls. Plus, regular paint just isn’t what I wanted to use, and I didn’t want it to change the color of the metal. I really wanted it to not look like it was painted! It took some internet searching, some phone calls, some driving, plus a little hit-and-miss investigation, but I feel fortunate to have found a place that was actually excited about taking on my odd little challenge to them: “See, it has this marble that rolls around, and the marble hits one part and rings. It has to keep that ring even after it has been painted.” They actually got a kick out of that whole idea, gave me a nice trial price to allow me to test their electrostatic paint process, and I’m pleased to say this thing looks fantastic! You can’t tell it has been painted, and the ring is great! Things went so well I am planning on doing a series of these pieces priced right around $175.

At any rate, I’ll let the video fill in all the blanks. Likely you are really curious to see what I’m fussing about.

Dremel Finishing Abrasives for Metal Sculpture

I have been experimenting with several different small abrasive buffs for my Dremel. I used these to clean up the discolored spots on a welded stainless steel sculpture as I wanted this piece to look rather uniform in color. I took the time to make notes on which ones I liked for my own reference, but it occurs to me that others may benefit from this information, so I decided to make a post out of it. As with anything of this nature, you may have different preferences as far as finish goes. These are the tools I tried and my impression of how they suited my needs. Maybe it will give you a good start in your search for some appropriate abrasives for your project.

NOTE: When I reference “my finish” I should state that the sculpture pieces were individually cleaned with a scrub pad before they were welded together. The piece overall had a satin sort of look to it, so this was what I was looking to duplicate when cleaning weld joints.

Dremel 512E – Fine Grit (320) Buff – Good results. Removes discoloration acceptably and leaves a clean satin finish that is close to the finish already present on my sculpture.

Dremel EZ473 SA – 220 Grit Detail Brush – This tool looks like a fan wheel made of curved rubber fingers. It leaves a clean satin finish. It does not seem to remove any metal. It gets some spots that a buff cannot reach, but it misses others. It is rather durable and lasts a fair while, probably as long as a buff or possibly a bit longer. It is acceptable as a buff substitute.

Dremel 530 – Stainless Steel Brush – This tool has stiff bristles and looks just like a tiny wire wheel. (Dremel makes a standard steel brush, but don’t use it on a stainless as it will discolor the metal and contaminate it as well.) The stainless steel brush works well on tough spots, but the brush itself is narrow and touches only a small area. It is not good for large areas as you end up with a brindled or sort of tiger-stripe look when trying to even out the appearance of the finish. It will get in narrow spaces well.

Dremel 511E – Package combines one Medium on Coarse Abrasive Buff – Why they don’t sell just