Go Commando!

Rare, weird, and awesome.

Hmmm…a little tough, this one. This amp, it’s something special. It has a sound all its own, and it’s a damn good one at that. It came out in the fifties, eight speakers, each being eight inches in diameter. Talk about wild! It opens up like a suitcase, with four speakers in each half. You can separate the halves and put them wherever you want with enough cord between them to place them at opposite ends of the stage. Craziness.

It sounds pretty fantabulous with that Astatic Velvet Voice microphone that’s sitting on top of it. Yep, real good. I can make that thing *honk* and positively *squall!!!!* But still, I don’t use it much, just not much at all. It should be getting used, or at least be getting passed around so that other people can get to play with it, enjoy it, and then send it on to someone else. I’ve had some fun with it. Now I have some very important interests and need money for other things, things that seem to be leading me in a pretty incredible direction. Might be time to let this go and pursue those other things. This may be holding me back more than it’s helping me. I had a friend come over and try this tonight, and he really liked it. He can take good care of it, and he appreciates it for what it is, a unique piece of sound equipment with a storied past.

Letting go, moving on

So I went to my steel fabrication sculpture class this past weekend, and it was A-FRIGGIN’-MAZING!!!! OMGZZZZZZZZZZZZZZZZZZ! (There will be more pictures and explanation later, promise!)

We built stuff! We cut stuff using FIRE!!! There was an oxyacetelyne setup and a plasma cutter and a MIG welder! It was awesome! I will post pics soon as I’m able. I built about half of a rolling ball sculpture in three hours. Yes, shock and surprise there, right? A bunch of people looked at it and were like, “What…is that?” One guy in particular kept looking at it. I’m wondering if he’s not going to start thinking about building one. He had this funny look on his face, like he was really considering something.

This whole welding thing – it was just so great! My one or two meager efforts at stick welding in the garage gave me some familiarity, and the practice of soldering actually prepared me for some of processes used in welding, so I was kind of online already. But the whole thing, just – it was incredible! I have been told, and I believe it’s also in the Artist’s Way, that when you’re really tuned in, when you’re really doing what you’re supposed to be doing, you forget all about everything else around you. Time flies by and you don’t even know it. You become terrifically focused on what you’re doing.

That’s exactly what happened. I was wholly drawn in to it. On Saturday we basically learned how the shop works. On Sunday it was, “Have at it!” day, so Saturday night I went home and took the steel rods I’d bought earlier that morning and I bent them up into spirals so I could spend my time welding on Sunday and not bending stuff. I was working on it without even being there! Then when I got there I got so into my work I didn’t even realize I hadn’t taken a picture until the instructor told is it was time to start cleaning up. I was all the way into it. It was the greatest thing ever!

But what does this have to do with letting go, you ask? Moving on? Well, the experience with welding was so awesome, even the parts where I screwed up, that I’m now clearing out anything around my house that I can find that I don’t need so I can buy a welder! From the outset of this whole rolling ball sculpture exploration I’ve wanted to weld, work with steel. Actually, I still have pieces of scrap metal, old car parts, that I cut up expressly to build a sculpture with. However, I realized not long into the project that I was taking a huge bite, and not sure I could chew it. I scaled back to copper just to get my feet wet. My feet are fairly soaked now, and this welding workshop solidified my suspicions from years past: I WANT TO WELD STEEL! I NEED TO DO THIS!

I know what material I want to use: stainless steel. I know what I want to do with it: build rolling ball sculptures. I need precision and detail. For this I need a TIG welder. Well, I could get by with less, but I’m not going to hamstring my efforts by getting what *kind of* works, not when I could pool resources and get what I *know* is going to do exactly what I need it to do.

At first I was just kind of desperate, like, “Ahh! I must get one! I don’t know how!” Then I went, “Dude, you know how much they cost, and you don’t have that kind of money….damn.” Then I went, “Hey, there have got to be one or two things lying around the house that you don’t want or need anymore. Maybe you can put enough of them together to make ends meet.”

So I started looking, and I was surprised at what I found. I dug through my back hall and found a bunch of music gear that I either never use, or use so seldom that it’s probably best that I just let go of it. It’s all going on Ebay here shortly. I already put a little bass amp on there, a practice amp, and there are a couple more old tube guitar amps that are probably going to go up as well. I may have already sold one of them to a friend, sans Ebay. Cheaper for both of us!

I’m on my way. I’m letting go of all kinds of stuff that I’ve been holding onto. It’s time to turn that over into something that I can use and enjoy today. They say that the things we own can end up owning us, that we can become trapped by things, stuff. I know that in the past I haven’t sold these things because, “Well, I might want to use it someday,” or, “But what if I regret selling it a year or two or ten from now?” Well, what if a year or two or ten from now I go, “Man, I really wish I’d bought that welder ten years ago. Just think where I’d be now if I’d started back then! Why did I wait?”

If I’m not using these things, someone else should be. They were created to be used, not to sit in a dark corner. I’m putting them back out into the world where they can be enjoyed…and then I’m going to purchase something that *I* can fully enjoy today, right now!

Diagrammetry

So...what does that say exactly?

I spent quite a while trying to read this stupid schematic off the bottom of this amplifier through the stupidly small hole in the back of the cabinet this evening. I thought if I took a picture I could blow it up and read it. I’m still not sure this is going to work. I’m going to sell this obscure amp, so I need this info to put in the ad for it. Why did I buy this thing in the first place? Well, it’s a Kent amplifier, and I had found a Kent microphone at a swap meet, and I thought that it would be cool to have one of each. For the record, that was at least ten years ago, and I never once took this thing out of the house after I bought it. Time to move on!

Commando Tubes

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Ah, the legendary Danelectro Commando 88 – or part of it, anyway. This is a lesser known vintage amplifier, but really huge in harmonica circles. It has a reputation, part of which is that Chicago harmonica master Little Walter played one back in the day when he was making mind-blowing records with Chess up north and basically doing for harp what Hendrix did for guitar. I have one, which is kind of amazing. I got lucky and found it at a guitar show years ago. I honestly don’t play it that much…so…I dunno…it might be time to allow it to move on into some other player’s hands who will give it a good workout. Maybe.

Slingshot – Rolling Ball Sculpture Completed!

Woohoo! Another one off the bench!

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What do ya think? Fun, huh? Everyone kept saying, “Hey, don’t you think you could maybe, like, make it go up and over? Like a loop? Can’t you do that?” And I was all like, “Yes.” And I did. It whips through the loops and then drops down into the little pocket at the end and spins for a second with the leftover energy.

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This one’s pretty fun. It has kind of a leaned back look to it, and the way the long drop launches the marble into the loops it reminded me of a slingshot. From a side angle the bottom loop-the-loop looks like wheels and the stretch up to the spiral at the top looks like what they used to call a “slingshot” dragster, but that’s just me. You’re opines may vary, and that’s totally cool with me. It’s still fun to play with.

Rolling with steel

What?!?!?! Tom built an RBS? SHOCKER!

Yet another glimpse at my experience with steel fabrication sculpture at the Indianapolis Art Center. This is a kind of terrible photo, but I imagine you can get an idea of what’s going on here. I was in the process of building this RBS when we had to knock off for the end of the workshop. I busted butt and really did a fair job of getting through things. The parts that I completed actually function all the way to where the track ends, which I consider to be some kind of minor miracle.

I used a MIG welder on this mild steel piece. I was told to come back and now that I’m a member I can get studio time and complete it! Oh, and the red things on there are actually big magnets that are being used to hold things in position while I work. They don’t stay on there. Yet more detail on this to come. Stay tuned – it was SO COOL!

Flamecutter

Fire! Mwuahahahahahaha!

This is from my steel sculpture workshop at the Indianapolis Art Center, the pic I figured you’d all want to see the most: sparks and flames! This is what everyone thinks of when they think of welding. It’s actually flamecutting very thick steel, not welding, but who’s to argue? It’s cool! This is not me here, this is Mike, but I got to partake, and I will freely admit, that it is exactly, 100%, absolutely and completely every damn bit as much fun as it looks!

The whole thing was superfab, so more on this later, more pics, more words, and more burnt stuff!