Ditched

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There’s this one little section of road that I pass through every day on my way to and from work. It’s so sharply curved you can’t even call it an S. It’s literally two 90-degree bends, one right after the other. If you’re heading north on the road, this is the left turn you have to take. Note that the view is somewhat obstructed here by a Honda. Not that said Honda is not on the road. While I do understand the allure of off-roading, I’m thinking that a Honda passenger car was probably not the best choice for this endeavor.

Honestly, folks, this intersection breeds more accidents – see the arrow signs? See the shiny guardrail? You know WHY that guardrail is shiny? Wait – you know why PART of that guardrail is shiny? It’s because only a few weeks ago someone else decided that simply hitting the ditch was not good enough, and they went through it and took part of the guardrail with them.

This happens far more often than I can count. I’ve been making this drive for over a year now, and just about every other time it rains or snows or freezes or it’s perfectly sunny even someone decides to use this section of road as a National Highway Safety bumper testing zone. Let’s also not forget the one day when some semi driver thought he had come up with some sweet back route, drove down this way, got here, and went, “Oh…I can’t make this turn…and I can’t back up…and now there’s a school bus behind me…and…oh…damn.”

Aside from any sort of finger pointing or whatever, I really just think it’s kind of funny that people repeatedly fail to slow down enough to make this curve. Doesn’t even look like this guy even tried to get it turned left, just like he went, “Well, goin’ over. Guess I’ll just meet it head-on!”

Passionate Relic

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This. This is fantastic. This is an admittedly rather lame pic of something fantastic. Maybe I’ll revisit this in the future and try to come up with some good lighting and whatnot, but I wanted a shot of it, and in the limited time that I had available, the dining room table worked as well as anything.

Remember that post from a couple of days ago with the cute little lady holding the Eko bass? That was the day of the guitar show, the day I wandered around looking for…something. I wasn’t sure what I wanted, although I was hoping I might find a replacement for my 80s Fender Telecaster. Yes, I could have kept using that same guitar and not suffered an physical ailments or infirmities, but I wanted something different. At the very least I knew that if I didn’t replace that guitar I’d have to put another pickup in the bridge position, because the stock one was lame.

I didn’t have my heart set on anything, really. I didn’t go there with a handful of cash, shaking and babbling and just dyyyyying for new gear. I went with the knowledge that, if I did come across something, I could make some trades or sales of my current gear and make something happen. I knew two guys who wanted to buy two different guitars of mine, so it seemed like a pretty good idea to make two things into one thing. How often do you have two buyers lined up like that, anyway? Seemed like a good opportunity.

I got to the show, and wasn’t inside the building more than fifteen minutes when I ended up at the booth of the vendor who was putting on the show. He had a nice 2002 reissue of a ’52 Telecaster. It looked gorgeous, and my bandleader/guitarist was there to act as pro counsel on any possible purchases. I took it down and looked at it. Price wasn’t too crazy on it. I could afford it if I found some more stuff to sell. I was sitting there goofing with it when a mutual friend appeared from out of the crowd.

“What are you doing?” he asked me with some surprise. (I’m never really seen with a guitar.)
“Trying out this guitar.”
“Are you thinking of buying it?”
“Well, yeah.”
“I’m selling mine. It’s out in the car.”
(In my head: “Oh, reaaaaaally?”)

I knew that guitar. It was “the red one.” My friend is always buying/selling/trading one thing or another. He’d picked up this red ’63 Telecaster Relic about a year ago. The first time I saw it I thought, “That’s one damn cool-looking guitar.” I’m not even that into red, it just looked good, and I’d heard him play it, and it sounded good. Plus, he always buys good gear, so I knew this wasn’t some whack job that had issues.

To make a long story somewhat shorter, I went out and looked at it, and my bandleader stopped his conversation with my friend at one point while I was noodling to tell me, “That’s a really good guitar.” I took that as a sign that I would have no regrets in buying it, but I held off. My friend suggested I go through the building and look at all the other stuff just to see if there was anything else I liked. I did, and I found one other thing I liked…except that it was a custom color green ’71 Tele, and it was priced at a for-me-staggering $8,900!

After I left the show I called my friend. “I’d like to buy your guitar,” I said. “And if you don’t need all the money today, I’d like to get it right now.” Lucky for me, he didn’t need all the money that day. He brought it over straight away. I think I’m starting to see how people can get all moony-eyed over their guitars. This thing rules! Just looking at it makes me want to play!

Triangles

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Tuesday night, and it’s time for Jem and I to draw! These sessions are becoming something that I really look forward to, and I can’t even explain exactly why that is. Part of it is simply the activity itself. I like drawing these sorts of things, free form designs. Part of it is that I like the way Jem does stuff. She uses tons and tons of color, bright stuff, and that’s pretty much why I started doing these things in the first place. Her designs and the tones she uses in them are very positive.

I’ve also noticed that when we do this I seem to lose track of time. Jem has said the same thing. If anything is going wrong or bothering me, I completely forget about it for two or three or four hours. I can get lost in what we’re doing, which is pretty awesome.

I think, too, that I like the social aspect of it. When I do the sculpture stuff I do it on my own. There’s a lot of just me sitting there in the basement looking at something. It’s very gratifying, and I love the results, but it’s really nice to have someone sitting there going, “Oh, crap…that was the wrong color,” or “Hey…that looks better than I thought it would!”

Tonight we ended like this, with all of the drawing done, and just a bit of the coloring started. See how clever we were? We cut the paper at an angle. Craziness! The idea is that this will be a paired work with both triangles mounted in the same frame. Kind of a different way of doing things, makes you think differently. I was working on the blue part, and it took forever for me to do just that little bit. It turned out okay, though. Slow, but good. Can’t wait to make more progress!

What a Tool

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Doubtless you’ll be as breathless and excited over this one as I am. These three seemingly inoccuous blocks of aluminum have tremendous potential, at least they do for me. They’re tools to be used in the making of rolling ball sculpture. These were designed by the sculptor Matthew Gaulden, and constructed in conjunction with his machinist. These hold 1/8″ wire when building an RBS, and Matt says they cut down his construction time by 20%. Building these sorts of sculptures is very time-consuming, so any way to cut down some of that is welcome, particularly when it’s an annoying detail like getting track spacing consistent. Personally, I’d rather spend my time developing some new track element, like a lift that’s shaped like a ferris wheel or something. Track spacing? Not exactly my idea of ultimate creativity.

One side note here: They don’t make copper in 1/8″ diameter. These clamps are to be used with steel wire. This means they have to be welded isntead of soldered. Previously, everything I’ve done has been soldered copper. I have a crappy little welder with which I have cobbled together one or two things. This is effectively a move toward making some construction changes. I don’t know when you’re all going to see some results, but it occurred to me that sitting around thinking about how I didn’t know how to weld my sculptures was not getting me any closer to being able to weld. This, this is a step forward. Stay tuned here for details on how I manage to botch my welding in the future.

Listen, did you see an Eko?

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I went to a guitar show on Saturday. These things are soooo much fun! Really, if you want to experience weirdness and the panoply of humanity and geekiness, a guitar show is a great way to do this. (Also, if you want to pick up a single guy – lots of them there. Seriously, I know women like music as well, but how many of them want to wax nostalgiac about the quality and sound of an original ’63 Strat versus the ‘unholy’ Relic Series reiusse ’63s? It’s largely a group of excited, if lonely, men.)

Anyway, lots of good fun and ogling to be had at a guitar show. There are all different kinds of folks milling about (with some fantastic hair styles, I might add), but this one woman stood out to me. She was sitting quietly off to the side with this instrument looking as if she might just be waiting for an opportunity to speak. I must have walked by her half a dozen times if not more, and I just sort of got curious. I kind of expected her to start playing it or something, and it was such an odd-looking instrument, not one that I remember having seen before.

Finally I just went over and asked her what it was. She smiled and said, “Oh, honey, I don’t know. I’m just holding it for my son while he goes to sell something.” She invited me to look at the tag, and it said that it was a 1967 Eko bass. She was such a sweet little thing that I just said a few more words, and then I asked if I could take a picture of it, and she obliged. She looks like she should be playing it, doesn’t she? I was kind of bummed that she didn’t burst into “Surrey with the Fringe on Top” or maybe “Foggy Mountain Breakdown?”

At Speed

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So I’ve been trying to shoot something, ANYthing early in the morning on my way to work in case I have another one of those days where shooting slips my mind, and I wake up the next day, realize that I missed a day, sit bolt upright, raise my hands to the sides of my face, and go, “NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!”

Or something like that.

My preventive measure against the forgetting of the shooting is to just take some kind of random picture in the morning. Then I at least have one in the can so to speak. It’s my safety shot, my backup, and it has worked on a couple of occasions when I just didn’t get to do anything else toward the end of the day. One thing I’ve noticed about it, though, is that sometimes they can be pretty ordinary shots, or if not exactly ordinary, at least repetitive. I’m guessing you don’t want to see pictures of my office parking lot every morning (although we did get it resealed this summer, and wasn’t that quite exciting??).

So I was on my way to work wanting to shoot something that was somehow a different version of the same thing, and I thought, “I wonder what would happen if I shot this stuff with a reaaaaally slow shutter speed. Would it all be blurry? Can I hold it still? How would that come out?” So I started messing around, and the above is what you get, an effect I’ve seen in motorcycle and car ads on various occasions, and one that’s kind of cool. Looks like you’re really tearing down the road, now doesn’t it? I’m going to goof with this some more, see what I can do. I need to find that balance between fast enough shutter to stop the action of the central focus figure and slow enough to let the background go all crazy/blurry.

Anyway, good times with the shutter speed experiments.

Easy Does It

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It was my photo club meeting night again. We saw pics of a guy’s trip to Alaska. He shot about 5,000 pictures in two weeks, which some people gasped at, but which sounded right on target to me. When you go somewhere new you’re going to see a lot of new things to shoot. Good thing we don’t have to buy film these days. Wonder what processing and printing would be on 5,000 photos?

As I was leaving the hall I decided to double back toward some of the work studios and see if anyone was doing some welding I could watch. Never made it there. On the way I passed the glass blowing room, and they were at work. A friend of mine just happens to do this stuff, and I ran into him by chance a few weeks ago there. Saw him again and stopped to say hello. I ended up hanging out there for another 90 minutes taking pictures and watching people. Man, I’m telling you, I totally want to do some of this! It looks like so much fun! That and welding. I’d love to take a welding class. I want to BUILD STUFF I tell you!!!! BUILD! MAKE! CREATE! AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAH!

Man. Yeah. Whew! Building things, making things…so cool.

Oh, right – anyway, I was watching them and feeling all cool that the instructor let me come in the room near the big, fiery, kill-you-instantly-they-are-so-hot oven/furnace things, and I’m shooting all this stuff and having a good time and thinking, “I am right where I want to be right now. I don’t want to be anywhere else. These people are making art, and I want sit here and watch them and grab that thing there, and that other thing over there, and those gloves and that pair of tongs and get some of that glass and roll it in that stuff and…” Really, I was just kind of thrilled to be there. I totally forgot about everything else going on in my life.

The photo above is one of the students working on a little vase. She had tried a couple of different pieces that night and had goofed on a couple, but this one was looking good. Here she’s getting a little help shaping the opening just right. You can look at her and just tell that this glass-blowing stuff is not for people who aren’t prepared to put their patience to the test. It’s not easy, and you also have to move fast. It can get stuck lopsided if you don’t keep moving it, and then you pretty much have to start over, or you can put a bend or a pinch in the wrong place and then…you pretty much have to start over. Tough stuff, man, and she was getting the final touches on it here. This one worked out for her.

Finally I had to admit that it was getting near time for the carriage to turn back into a pumpkin, and I got up and gathered up my things. “I gotta hit the road,” I told my friend, Eric. He says, “Hang on. I’ll make you a paperweight.”

What? You think I’m gonna leave after that? Next blog entry: paperweight. I promise. Lots of pictures.

Bridge to Paradise

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I love closeup detail shots like this one. If I had the proper lens I could *really* do some cool stuff…but I don’t. Maybe I should find a way to afford one. Hmmm…not sure how to do that. A new one kind of like what I want costs about $800. The one I *really* want costs something like $1500. Yeah, somehow I always get interested in things which bring high prices of entry. Bah!

Anyway, for those curious, this is a closeup of a mid-80s Fender Telecaster. The black thing with the dots is the pickup, the sorta rusty things that the strings go over is called the bridge, hence my clever little blog title. I do love the Teles. Wish I had an older one with some vintage cool to it. Wait? What’s that? You say there’s a vintage guitar show coming up this weekend? Hmmm…what can I sell?

Lens or guitar…lens or guitar…

Nightlights

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I was walking home after meeting some friends and decided to fool around with the camera a bit. Since it was dark out I figured I’d see what I could make happen with some slow shutter speeds. Since the shutter is open for so long, moving objects will appear blurred or smeared as they move across the camera’s field of vision. I like car lights done this way, so I gave it a try. This was handheld (no tripod and plenty of chances I’d breathe and shake the camera), and many of them came out surprisingly well. I could do better with a more intersting surrounding or better cars or whatever, but the effect itself is pretty cool.