Nephew’s Rolling Ball Sculpture

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Begun way, way, waaaay back in, uh, whatever month it was begun in – August? – I have *FINALLY* finished the sculpture that I constructed for my nephew. I generally try to stick with the “one” rule on “one-pic-a-day,” but the RBS stuff is always special, and I wanted to provide a couple of views of the finished piece so you could get a good idea of how it looks. Thusly, you get an extra pic today. Woot!

I had to tweak and futz with things, but it wasn’t all that bad, really. It was mostly making things sturdier, and then there was the creation of the extremely cool wood base that my dad made for it so that my nephew (who is five) wouldn’t accidentally damage it every time he picked it up to move it around. It turned out quite nicely considering the initial build time on it was only six hours! I’d like to do some others around this basic theme, and I think I may get Tina to throw down some of her awesome stained wood skills on future wood bases.

Yet another art project completed! Woohooo!

Another Senseless Machine – Sweet!

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I do so love these. Anyone who has been hanging around here for a while knows that I love these things. Rolling ball sculptures. They’re pointless. You put a marble at the top, and it rolls down to the bottom. It doesn’t accomplish anything useful, not in that “We have work to do! Money must be made! Mountains must be leveled! Paper must be shredded!” However, they’re just friggin’ fun as all get out.

I haven’t done a lot of work with these lately. Seems like RBS building and reading have taken a back seat recently. I afforded time for this one a few weeks ago, however, during the Masterpiece in a Day event, which, I just realized, I never did fully devote an entry to, so you’ve not seen this thing until now! My apologies. I’m sure you were all chomping at the bit.

Any rate, here it is! It looks a little different than it did on the day of the event. I spent the evening tweaking it. I recurved the legs so that they sweep in toward the base more. This makes it look a little more groovy, plus the base I’m going to make for it will be able to be cut smaller. I also fixed one major support issue. When I first built it the thing was very wobbly. After looking at it for a while and playing with it, I realized it would benefit from one support piece in a strategic place. I made one up and installed it. You can’t even really see it in this photo, but it reaches from the bottom of the first spiral down to the very beginning of the third spiral.

What really surprised me was just how much of a difference this made. I mean, I knew it would help, but had no idea how much! It stands about as solid as any frame of copper could possibly do, even better than I could have planned. I should have been an engineer, you know it? Friggin’ architect. Look at that thing!

Well, it’s base-makin’ time for this bad boy. Since I basically threw it together in six hours, and it’s missing a lot of the refinements of one of my usual pieces, this one is going straight to my 3-year-old nephew. He’ll think it’s cool, and I won’t lay awake at night wondering what someone will think of it.

Rush Job

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Does anyone remember when I did Masterpiece in a Day last year? If not, well here’s the short version: I did it. If you do, then you’ll know a lot more. You have about six hours to create an entire piece of art from beginning to end. It’s an annual event. Here’s my buddy Darrell working on his sculpture. MiaD is so friggin’ cool that I’ll probably have to devote an entire blog entry to it. Oh, and I did manage to complete my piece this year! It was a day full of win.

Masterpeace in a Day(s) – Complete!

Well, my friends, my companions, my lovely readers, it has happened.  At long last, after a rough start at Masterpiece in a Day, after subsequent hours of slaving away over my dining room table, after several burned fingers, noticeable neck pain, some frustration, occasional doubt, moments of elation, quite a few ounces of burnt propane, who knows how much solder, much vacuuming of the floor and table, a bowl of spilled water, and the stripping of sixty feet of house wire, it’s done.  Done!

I took several in-progress photos along the way, and though I though of posting them, I was really much more concerned with finishing the darn thing, so they haven’t made it up until now.  Here we go!

Previously, I believe all I’d shown you was the spiral itself, the largest element of the sculpture.  At the time, however, the poor thing just lay there on the table and looked a little forlorn, if not kinda neat.  The evening of September 30th was huge, because the project finally grew legs!  I remember being particularly excited about this stage, because I was finally able to place a marble on the thing and have it function in a manner somewhat resembling its form.  I was very pleased to find that the marbles did in fact roll on it as I wanted.  (This stuff is never a certainty, as I’ve learned from reading about others’ efforts on the interwebz.)  Oh, and see that little coil?  Remember that one.  It shows up later – kinda.

Following “Leg Day,” as I like to think of it, there seemed to be only one way to go, and that way was indeed up.  I needed to be able to test the rest of it as I went, and I couldn’t do that so well until I had a starting ramp.  The ramp would determine the speed of the marbles, and upon that I would be basing the rest of the design.  I kind of freaked out at this point.  There were moments of deliberation and procrastination.  I tweaked the spiral some more.  I looked at the legs to see if they were really properly affixed.  I goofed with the exit point below the spiral to make sure it would hypothetically actually really work – and then I had to look at it all again and go, “Aw, crap.  I’ve done well!  I have to do the ramp now!” 

I really had no idea how high to make it or how steep I could bank it.  I was afraid that, either the marbles would be too slow, and wind up just stopping on the spiral, or that they’d be too fast, and I’d get to watch as they repeatedly launched, one after the other, onto the floor.  In the end I could do only one thing: build it and trust it would work out.  This is the part where I quite literally said, “I will take care of the quantity while some Higher Power takes care of the quality.”  I really did feel it was out of my hands, though mine were the ones doing the work.  I kind of went slowly with it and just did a few tests here and there, but I think I got really lucky and nailed about 80% of the design right off the bat.  Still, it took a lot of work.  That little ten-inch rise of copper?  That took me at least one evening, maybe two by the time it was completely finished with the big swoopy support on it.  Glorious it was when the marbles rolled off the end of the ramp and spun around without flying off into space or dragging to a halt!

 You can also see in this photo the beginnings of the lower track going together.  I was working on a series of S curves at this point.  I had the initial design completed, and was clamping them in place and checking what areas needed to be tweaked.  Much tweaking was involved.  I remember that bending one wire of the S took about two hours, and I thought I was cooking along.  The second one I figured would go faster.  It didn’t.

Here is a shot from above, and you can see that some of the track below is not complete enough in form that I was able to solder connecting joints to it.

Here’s a side view during the same period of progress.  You get a better idea of the swoopiness of the lower curves.  Those were pretty fun to design.  I had to get them banked right, because the marbles were reacting to changes in direction in such a small space, that making them flat would have just thrown them all over the floor.  I really do enjoy that part of these sculptures, the graceful curves that kind of sail out there and make the marbles seem to effortlessly follow the track.  Not such an easy trick, kids, but so rewarding when it works.

And now, the moment every one of us has been waiting for:

Ta-da!  CHECK IT OUT!  Isn’t that cool?!?!?!?!?!  I can’t believe I actually finished the darn thing!  Remember that little coil I pointed out earlier?  I’d planned to use it as it was originally formed, but since the marbles weren’t really ever going fast enough to be held inside it by inertia, I reformed it, took out a couple of loops, and made it into the small spiral that runs around the leg of the tripod.  That part took some doing, as I had to reform it several times so that the marbles would just barely clear the leg when they spun around the inside of it.  The final straightaway ended up with a rise in it to slow the marbles a bit, and then I threw in the J-turn, because I had enough extra wire already cut, and it seemed kind of a shame to just have them speed out of the little spiral and then just smack to a halt at the end of a straightaway.  The track was all done on Sunday, October 13th, (and there was much rejoicing – “Yay!”).  I even showed it to my sister’s family Monday night, but the final bits of bracing took some hours to complete.  It was very wobbly before that.  You can see them at the curves of the S, and then there’s a very small one that’s hidden from view at the base of the small spiral.

The sculpture, which should probably be called Masterpeace, has now made a whirlwind tour of southern Indianapolis, downtown, one bar at 96th and Meridian, Carmel, Indiana, and Avon, Indiana.  Overall it’s been a pretty big hit.  I figure if a kid keeps staring at it like it’s television, I’ve done something right!  Happily, adults seem to be about as entranced, making me feel like not so much of an idiot for repeatedly rolling marbles down it and grinning like a tot.

I feel pretty good about sticking with this whole thing.  The rewards of persuing it to completion after my disappointment at Masterpiece in a Day are hard to put into words. 

Ah, now there’s that other unfinished one that I started before this one.  Time to get back to work!

Masterpeace in a Day

I’m sorry I’ve not blogged about this earlier, but it’s been difficult to get back to the computer this week, partly because I’m not allowed to read anything this week, as mentioned earlier. I don’t want to let this news sit and get cold, though, so I’m getting it out there this evening, even if I can’t re-read what I wrote!

Masterpiece in a Day was an excellent experience, though not for the reasons you, or I, might have expected. The day was set to be a challenge right from the start, as I’d been up playing with the band late the night before, and while the event rules on the web site stipulated work hours between 9am and 3:30pm, I was not able to arrive until about 10:30 that morning. I felt fortunate to have my brother attending the event, as he was a veteran. He had some been-there-done-that advice for me, plus the fact that I had a bunch of crap to unload from my van, and his location made for a convenient dumping ground. Thanks, Ben!

When I arrived at my brother and his friend’s site, I was met with this:

Ben had laughingly told me before that they were going for the largest work, if not the best. To that end, they’d spent over 200 bucks on several sets of canvas totalling a 6-foot by 20-foot area. That’s right: twenty feet long! I told folks later that they had “about thirty cans of paint laying around,” figuring I was overestimating. I was not. They had a lot of space to cover!

Here Ryan applies some blue to the lettering for the graffiti words. He was nice enough to help me move some of my crap over near a wall outlet. I’d hoped to set up near them, but I needed power, so I ended up around the corner.

Here I gamely try to whip some wire into a reasonable facsimile of artistic expression. I had people stopping by pretty often to ask, “What are you making?” I told them it was a little rolling marble sculpture, or a kinetic sculpture, or a number of other variations. The guy who took this picture for me, Todd, was particularly interested in my work, him being a sculptor of found metal objects. His full name is Todd Bracik, and you can find his work here.

This photo could have been taken either hours or minutes later. I think my workspace looked like this for 80% of the time I sat there. One young boy of about twelve kept walking by and offering me encouraging words. Around this point he passed again, and I said, “It doesn’t look like I’ve done much, does it?” and he said very matter-of-factly, “Oh well – good art takes time!” and walked off. Thanks for the boost, kid!

I seriously spent forever making that spiral you see me holding. For. Ev. Er. I had no idea so much time had passed, when some guy came by and asked what I was doing. He said, “You better hurry! You only have forty minutes!” I looked at my watch after he left. What was he talking about? It wasn’t even 2:30 yet. I had over an hour!

After a while a string of folks began going by me to the registration/turn-in table set up nearby. “I guess people are getting their stuff done a little early,” I thought nervously. I kept working. I wasn’t anywhere near done, but I didn’t know what else to do. I didn’t expect to win, but I really had wanted to finish the piece in the allotted time.

My brother walked by carrying one of the panels for his canvas. “You better hurry!” he smiled.

What the hell? Maybe I had really better get a move on. Better to finish with some time to spare. It suddenly hit me how I could tie up the whole thing in about twenty minutes. It wouldn’t be what I’d wanted, but I would be able to finish!

Now, about this entry form…I picked it up and read: All artwork is to be turned in by 3pm. I looked at my watch. 3:05pm.

I sat there and stared at the paper. I didn’t know what to do. I had read the web site the night before, and it definitely said 3:30pm, yet I’d not read the registration form the whole time I’d had it. I was crushed. I felt defeated. I was suddenly very angry with myself for even showing up. Why had I bothered? I mean, sure I didn’t think I’d win, but I could have finished at least! I hadn’t even bothered to read the rules! How stupid was I?!

A woman came by with her little girl. She asked if I’d done a sculpture inside. I shook my head. She asked if I was going to turn in what I had. I said quietly, “I didn’t finish.” She left with her daughter.

I wanted to throw everything in my box and leave. Now. I didn’t want to be there anymore. I felt like I’d wasted my time, expected too much from myself. All these other people had finished and I had not. The one thing I’d wanted to do, finish, and I couldn’t even do that. What an idiot!

I sat there and thought about what I could do. I could leave. I could go get my car and just leave, but my brother was there. He had artwork that he’d completed, and I wanted to see the finished product. As bad as I felt, I was more certain that I wanted to see what he’d done. For that matter, I was certain I wanted to see what other people had done. My purpose was bigger than simply completing my sculpture. Even as angry as I was that thought got through. I came to have a good time, and leaving angry was not going to accomplish that. It was going to make it worse.

I got hold of Ben on cell and he watched my stuff while I got my van. I threw all of my crap in there, still rather angry, but maybe not quite so much. I asked him about his piece. He said, “It takes up one whole wall in there!” Better.

I parked again, and went back to look at the artwork. I wish I had some photos for you, but they chased me out while they were doing judging. It’s too bad, because I saw the most detailed Etch-A-Sketch I’ve ever seen in my life. There were sculptures, at least one video piece, paintings, pencil sketches, mixed media wall art. All these people had shown up that morning and just created these things on the spot. Before we all arrived that morning none of it had existed, and now it lined the walls and covered the floors of two different rooms.

I split for pizza afterward while Ben and Ryan cleaned up. We got separated for a while, and I didn’t see him the rest of the time I was there. As I was leaving after the award ceremony (Ben and Ryan, unfortunately, did not take home an award, but were odds-on favorites for the “Most Obnoxious,” apparently!), I phoned Ben. I still had all those thoughts in my head about not finishing. I hadn’t forgotten any of that, not that quickly, anyway. Still, when he answered the phone I said, “Hey, man, I just wanted to say thanks for letting me know about all this. It was awesome, and I had an excellent time.”

I’m still surprised I said that. When I was younger, and even up until just a few years ago, I would have gone with my first inclination. I would have left and written the whole thing off as a miserable failure, and maybe never tried it ever again. Apparently, I can have a pretty excellent time even if I don’t meet every expectation I have for myself.  Achieving that sort of peace with my own abilities and expectations is worth more than anything I can imagine, and I’ll be calling on this experience when similar challenges will surely present themselves, likely at next year’s Masterpiece in a Day. See you there.

Pre-Masterpiece jitters

As I’ve mentioned before, I plan to take part in Masterpiece in a Day, an all-day event hosted by the Big Car Gallery here in my fair city.  It takes place in the Fountain Square area of town, and apparently kind of takes over the area, as my brother described it as being a bit like “a low-buck Burning Man.”  You basically have from about 9am until 4:30pm or so to complete an entire work of art, starting from scratch.  Pretty neat, huh?  Opportunities for all kinds of wackiness abound, I’m sure.

Upon hearing about this from my brother, I immediately wanted to take part.  Said brother is doing a 20-foot canvassed graffiti art project.  I’ll be doing a rolling ball sculpture.  Now, this all sounded awesome and oh-wow-that-is-so-cool-and-what-an-opportunity(!!!!) the day I heard it.

Now I’m vaguely freaking out.

The day I learned of it I imagined me sitting at my rickety card table with a propane torch, bending up a bunch of wire and just having a ball making whatever the heck I wanted and enjoying the outcome for what it was.  However, Other Me, Perfectionist Me has shown up to try and rain on the parade.  Perfectionist Me is saying that it’s “just not going to turn out right, your design will suck, you didn’t plan well enough, you don’t have enough experience to turn out something superfab in just a few hours, blah, blah, blah…”

Perfectionist Me sucks.  I don’t really like to invite him along to stuff, but he shows up, like the friend at a party who can never seem to keep from drinking just a little too much at the end of the night and starts making off-color jokes or unwanted advances toward the womenfolk.  However, since Perfectionist Me is what you might call family, he kind of has to come along wherever I go.  It’s my job to keep him in check so that he doesn’t break stuff, make a jack of himself, and kind of hose the whole party.

In order to kind of take care of all those unhelpful ramblings that have been cropping up in my head, I hereby restate my initial purpose in this event.  It was NOT to create HOLYCOWINCREDIBLE work of art that was going to impress everyone in Marion county, plus those living in Allen and Howard counties.  It was not to put myself in the blast furnace and sweat out something “perfect.”  It was not to win an award.  Here was and is the purpose: to get involved with a fun public event that encourages the arts, have a good time creating a finished piece of art, and to enjoy and accept the results for what they are.

That’s it kids, and I’m sticking to it.  I’m going to pack up all my supplies as well as my original statement, and look forward to a day among creators, probably sipping a Diet Mountain Dew, bending wire, and making something fun and cool.

Piling the Plate Full

I’ve been remiss in posting for a couple of weeks, and it shows. I have tons of news, and I’m afraid if I don’t do it quick and short, well, it’s not gonna get done for another two weeks. So here goes…

I survived a night of criticism at my fiction group. The group overall seemed to really enjoy my flash fiction (it was only 1 1/2 pages long), though I did get some thoughts from one member that hit me a little negatively. This isn’t to say that the guy was being out of line. I think he said what needed to be said, but naturally, all I heard was, “You’re not good enough.” The good news is, after being down about it for about sixteen hours, I let that go, and decided I’d just keep working at it, and that all kinds of criticism are necessary for my growth. After all, if no one ever said I needed to improve, it wouldn’t be very helpful. I came to the group to learn to write better, so it’s working.

I have not had much time to work on the RBS, which has pained me greatly. Hugely. Horrifically. However, I’ve survived somehow, and today I was able to put in a few hours, and I’m overjoyed to say that I finally got all the tweaks out of my first piece that I feel I could manage. Then, I took a deep breath, clamped everything in place, lit the big torch, and gave the soldering another shot. It is with boundless happiness that I report the soldering is a success! This is not to say that’s it’s perfect, or even very pretty, but it is a solid joint that will do the mechanical job it needs to do of holding the pieces together. This means I can move on to more of the assembly process. Woot! Can I get an “Amen?”

This week has been huge with creative revelations/realizations of opportunity. One, I was clued in on a challenge called National Novel Writing Month (NaNoWriMo, for the initiated), and decided that I would embrace it and take it on. The crux of it is that you are challenged to write 50,000 words and create a novel between the dates of November 1 and November 30. Cool, right? Crazy, right? Fun, yes? YES! I am so excited! I actually got all signed up online and today was able to meet some fellow NaNo-ers at a coffee shop here in town. They all have experience with it, and each one has completed the challenge. It sounds like it’s going to result in nothing but an excellent time. I can’t wait to get started! (No, you are not allowed to start ahead of time.)

In other art-within-a-narrow-timeframe news, just this afternoon my brother and I were having lunch, and I was relating NaNoWriMo ramblings, and he says something about “Masterpiece in a Day.” I said, “What are you talking about?” He says, “Artists get together down at Fountain Square and make a piece of art work in one day.” It took me about 90 seconds to decide that I was all in on it. While the contest is open to writing, visual, and music arts, I have naturally decided that I will be devoting my energies to an RBS. I so want to have a completed piece! It’s September 27th, and you can find out more about it here.

There you have it, kids, the ten-minute update on my creative life. I have plans to finish my current RBS by the end of September, and I’ll have the second one completed at Masterpiece in a Day, and by December first I will have written a novel.

Oddly enough, when I go to the buffet, I don’t really pile my plate high. Guess I make up for that in other ways.