More with the colors

As I mentioned previously, I’ve been doing some experimenting, some playing around with drawing. The interest in colors first came out when I did some work with the Artist’s Way, one of my Artist Dates where I goofed around with crayons and markers. My friend Darryl inspired me to take it a step further when I saw some of his really awesome colored pencil abstracts. He then very generously moved me further towards carrying things out by giving me a bunch of colored pencils. I started, got really into it, bought some more, worked on it more, bought even more pencils, and now I have some additional progress to show you.

Fun stuff, huh? It’s kind of hard to do work like this, because part of my brain keeps telling me I’m screwing around and that this isn’t “real art.” This is the part of my brain that’s always telling me that, no matter what I’m doing creatively, it’s not valid for some reason or other. The reasons vary, but they’re generally along the lines of “You’re not good enough.” I realized last night that the fact I’ve managed to get so far along on this little project shows how much progress I’ve made in not letting that little voice get the best of me these days. In years past that voice was sufficient to keep me from even starting most projects.

It is almost scary to note that, after years and years and years of not allowing myself to do anything like this, I now have two complete rolling ball sculptures (soon as Tina finishes up that awesome base for the second one, anyway), I’ve written 86K words of a novel, and I’m able to finish little fun drawings like this one. This ability to finish things, this is – as far as my own personal growth goes – huge stuff. I’m extremely grateful for it. You know what happens when you become able to finish things? You finish them, then you can feel good about them, show them to other people, share your work, your self, your life. It’s incredibly powerful.

Something else kind of wild that has crept into this little exercise is what appears to be some kind of learning process. I thought I would just basically be scribbling on a piece of paper, goofing off with pencils, randomly assigning colors here and there with no cause or concern for the total outcome. Yeah, I think that went away when I left the first pencil. Not that I’m incapable of just letting myself go and not freaking out about the outcome (thought that’s harder to do when I’m really tired, so I try not to do this unless I’m rested), but I’ve noticed that I’ve been making conscious decisions about this apparent random display of color. Sometimes I’ve chosen colors that I think will go with each other well, other times I hope that they won’t match at all, that they will clash, or that they will blend almost seamlessly. I can’t really help it. It just happens. Sometimes I just go, “….ummm…I think this needs to go there,” and I don’t even know why, but I picked that color, even if I didn’t know the reason for it. When you’ve spent this much time away from embracing such things, having them come out at you is kind of scary. Exciting and fun, but also kind of scary. I didn’t know I thought of things in this way, that I had these preferences, or that I flat-out enjoyed the hell out of this stuff so much. It’s really fun!

Oh, and as for it being goofy and a waste of time? I had my stuff out with me last Saturday when I met up with some friends. One works as a graphics producer. She saw the drawing and said, “Oh, that’s cool. You should send that in to a company for a design. That would be good for, like, a border on a paper plate or something. They do that on spec. You send it in, and if they like it, they give you a thousand dollars and…” My eyes kind of glazed over after the words “give you a thousand dollars,” so I need to revisit this subject with her. Nothing at all may come of it, but I have at least learned from that short bit of conversation, that the world does reward creative people for their work. Not all the time, and not always equitably, but it does happen, and right now I sure could use any sort of income from all this output! You’ll be sure to hear about it if anything more happens.

In another small but significant bit of news, I finally went over to the welding shop yesterday after my dental visit and gave them that little gear and shaft that I need to have turned down. They said they couldn’t do it, but the great news was they were able to give me the name of a shop that could, and it turns out the shop opens at 7am and it’s kind of on my way to work. If they can do it, this place would be ideal, as I would be able to drop off and pick up things without having to lose time from my regular job. I hope to stop in there tomorrow and see what I can see. If this flies, then you’ll finally start seeing progress again on my motorized RBS! Woohoo!

Stay creative, folks. You will be rewarded.

Stained Wood and Swingin’ Music

Man, Tina is going to town on this RBS project I’ve handed to her. Check it out. She’s doing test designs and stain colors on scrap wood for this thing. Honestly, I figured she’d just whip out some nifty little design, draw it out, stain, and bam – we’re done. But no, such is not the case. She’s being meticulous about every detail. Witness the use of the bone folder if you don’t believe me. Feel free to leave her a comment if you like. I’m sure she’d enjoy hearing from you.

Today we also have a first for you here, kids. It’s personal video! Well, it’s not my personal video, but I’m actually in it, part of it. In addition, this is, if not the first, then one of the first blogs containing much about my musical pursuits. I play with a band regularly, and while I’ve been working with the same band for over ten years now, it occurred to me a few months ago that I have some good friends with whom I’ve fallen out of touch musically. Some of these guys are people with whom I formed my first band in college. I thought it no coincidence that, not long after I arrived at this conclusion, one member of that group of friends came to me and essentially said, “I have a line on this gig with these other friends of ours. Do you want to do it?”

Have I ever told you about how I don’t believe in coincidences? I don’t. I think stuff happens for a reason. I think I got the opportunity to rejoin my friends and play with some new folks right at the exact time that I was ready to embrace the opportunity. It was a little unnerving, because I’ve been used to playing with the same guys for so long. New stuff, even old new stuff, can be kind of scary. I spent twelve hours total driving to practice with these guys so that we could do the best job possible. Still, the big day arrives, and you’re a little nervous. Even if it’s just a house party, you’re a little nervous. Will the show set sail, moving gallantly into open waters, waves crashing at its bow as it triumphantly makes its maiden voyage, or will it get about eight feet from the pier, suddenly begin taking on water, and moments later present only the mast above the waterline?

I’m happy to say that she fared well, and an excellent time was had by all. The inside joke on the song’s title comes from the last name of one of the attendees. The guitarist wrote this song especially to mock him, which is what musicians do to people they like. It’s a bit of cheese, but then the whole point was to have fun with it. I’m lucky I have friends who ask me to be part of things like this. It was big fun.

Creative interaction

My friend Tina is hard at work coming up with design ideas for the stained wood base she is creating for my latest completed rolling ball sculpture. She’s started blogging about it as well, so we can all enjoy the process, and, really, it looks like she’s taking this whole thing pretty seriously! I’m stoked. Check out her thoughts here. Do not hesitate to leave comments on her blog. I’m sure she’d love to hear from you. Besides, I’m hogging it!

This interactivity with other artists has me pretty jazzed. I got an artistic response from some friends of mine recently after I’d sent them some of my work. I’ll have some examples of it for you in the near future. Fun stuff to come!

Done! …for now

Friday night the 6th I finished all the preliminary work on the latest rolling ball sculpture I’ve been working on, the so-called “martini” sculpture. It’s not quite finished, however. From here it goes on to the wonderfully talented Tina Hanagan who will design a custom stained wood base for it. It’s going to be awesome when it’s done.

Here are photos of the finished wire work. You can click on them for complete, larger images.

I dropped it off at Tina’s on Sunday, and was very impressed and excited to see that she had already begun work on it. Upon my last visit Tina had used some graph paper to mark the location of the feet of the sculpture along with some other significant points. Based on that information, she had already begun to draw myriad circles, triangles, and other schematic-looking designs. “Yeah,” her husband, J.J., said, “she’s been talking a lot about it. ‘Should I do something that complements it, or that’s a counterpoint? What kind of wood should I use?'” He laughed, “I suggest stuff, and then she does the opposite of that.”

Dudes, this thing is going to be so cool! I can’t wait to see what she comes up with! She has already started blogging about it based on the first visit I made, and she’s even put up some pics! Check it out!

It was kind of weird dropping it off, though. I was goofing with it, showing J.J. how it worked. We ran the marbles through it a few times, and I said, “You know, I didn’t think much of it the other night when I finished it. I just kind of shrugged my shoulders and went, ‘Well, I guess it’s done,’ and went to bed. I think I’m kind of starting to like it now.”

I’m not sure what’s up with that. I don’t dislike it at all, but it didn’t affect me right away like when I completed the first sculpture. I really can’t figure out why that might be, although finishing the second was definitely not like sticking my neck out for the first time and seeing if I was even capabled of one. I’m getting pretty jazzed now that Tina has her hands on the whole thing, though, and I think it’s really going to be outstanding once the entire piece is completed. I think I’m repeating myself there, but, well, I’m pretty stoked!

For anyone keeping track, recent sculpture music has been:
The Replacements – All Shook Down
Dusk Till Dawn – The Soundtrack
Random songs off of my playlist from Project Playlist

Spock’s Martini – soldered, not stirred

rollingballsculpturemartini001

Just a quick update tonight, as I’m working against a tight deadline, and wanted to get this up before the rest of the week slips by. I got some time with the sculpture on Friday night, and spent it working on the final spiral at the base of things. t was a lot tougher than it looked. I don’t feel I did my best work on the exit ramp for it, but it is functional, and not terrifyingly ugly, so I call it a success!

Here are a few other views:
rollingballsculpturemartini003
rollingballsculpturemartini002rollingballsculpturemartini004

This last photo shows the final piece of track that I have to put in place. So close! Or so it seems. It will likely take me at least an hour to form and join this little smidge of track up to the rest of the sculpture. The work that makes all those angles look nice and the marbles roll well seems to take a lot longer than it should.

Gotta go, kids. Not much time to blog this evening. I do have plenty of cool creative news to present, however, so I hope to bring you more before the week is over with. I’ve gotten together with my friend and fellow artist Tina Hanagan for some initial thoughts on making the base for this piece. I’m happy to say she’s very excited about it, as I am. Initial tests on some of her existing work indicate that this thing is going to look truly smashing with the addition of her talent to it. Stay tuned.

Inspiration

I’m a little chagrined here, a little excited, a bit enthused, and rather admiring. It is my wont to occasionally peruse that veritable cornucopia of visual medium known as Youtube. There’s TOOOOONS of absolute crap on it, but there is also an amazing amount of truly wonderful material out there to inspire, assist, and educate. Today, while trying to re-find a video on a giant rolling ball sculpture that a college student built for his thesis in engineering or physics or something (it uses bowling balls that reach speeds of 80mph – sweet!) I came across a video I’ve never seen before.

Behold, awesome readers, a copper rolling ball sculpture that aspires to art as much as movement:

View, view, view, and view. I can’t get enough of this thing! I mean, just, like, just check out…LOOK! The frame, it’s not just eight pieces of water pipe soldered together to make a box. Those curves, so swooping and graceful, and notice that where they dip they become contact points for the supports that hold up the track – gorgeous and effective. Two points! The solder joints are all very well done, and the spacers for the track are shaped into rings rather than simple flat bars. Note that other support legs are formed into curved pieces as well, and small termination points are shaped into curls. All these elements add to the whole of the sculpture. It’s very harmonious, no?

And look at the use of open space. The marbles seem to zip and float across the curved track in the center, then gracefully move through the spiral, exiting at the bottom without a bump. The visual grace is fantastic. I admire how he has taken car to not use too many support rods. It has a very clean feeling to it. I wish I could see it up close without the shadows in the background to distract from the effect. It’s really great stuff.

In addition, the lift wheel is beautiful. I’m trying to figure out what it’s made of, as I believe a solid copper piece of that size would price in at an extremely health chunk of change (brass wheels of three inches in diameter are 80 bucks, for what that’s worth, and all metals have sharply increased in price in the past year). The fit and finish on everything is of very high quality.

I post all this, partly in reference to some comments made by Matthew Gaulden about some characteristics of my own work. I must enjoy the curving lines, as I was immediately drawn to this when it came up on my screen. I also post it as a point of interest, to give you an idea of just what inspires me when I do my own work. You and I are learning this stuff together, as I’m very early in the process, and there will be many discoveries as to what makes me go, “Oh, yeah! I wanna do THAT!” Right now, this is the sort of thing I want to do. I’m finishing a smaller work right now, but the long, uninterrupted lengths of smooth track on this piece are really, really getting me going. I wouldn’t be surprised if something like that doesn’t show up in one of my future works. This is finely crafted stuff. I wish the guy lived in the U.S. I’d love to meet him some time.

This weekend I have some free time. Hopefully, that means there will be more accomplishment news come Monday. See you then.

Accomplishment!

Oh, the weekend I had, kids! It was all set to be a bang-up, creative-filled weekend, and by golly if I didn’t just shoot the moon on that one!

The big ingredient in all of this madness was the lack of gigs this weekend. Usually the band plays both nights, if not just a Saturday. It’s not often I get two nights off on a weekend. In addition, I also had very few personal obligations this weekend. No one was getting married, baptized, bailed out, or otherwise taking part in some sort of activity that demanded my presence for very long. Well, someone had a birthday, and I showed for that, but it was for a (still very young!) old friend. Good times and merriment were had.

But back to the other merriment, my merriment. With the weekend free of gigs, I spent most of Friday night, Saturday night, and Sunday afternoon hunched over my workbench in the basement, floodlights ablaze, brow furrowed in concentration, and I made stuff. Pliers, wire, torch, solder, flux, wood, Dremel – I was a dynamo, I tell you! A friggin’ dynamo! You want proof? No problem!

View from the top.

View from the top.

Apparently, I got going so quickly that I never took pictures of just two spirals mounted, or maybe I did and offloaded them from my camera really quickly, I can’t recall. But here we are, already looking far more complete than a week ago. I think this photo is from Saturday evening. I have the second spiral mounted as well as the third. At the bottom you can just see the final wire with a little flux on it. I was getting close to adding the fourth spiral and realized I’d not stopped for a photo.
Side shot.

Side shot.

To the left here is a side view of the same. You get a good idea of the vertical spacing here. The most work involved is getting the exit ramps and entrance ramps all tweaked and worked out and smooth in transition. I easily spend the bulk of my time getting the track to leave the bottom of the spiral smoothly and move on to the next one without incident or drama.
Another top shot with four spirals mounted.

Another top shot with four spirals mounted.

Here’s a nice top view of four spirals mounted up. I think the third and fourth spirals went fairly easily…well, no, maybe they didn’t, but going from the second to the third wasn’t any piece of cake either. The exit from spiral three was a real bear. Lots of tweaking was involved. I have to say, though, that I was putting together some fine solder joints on all this work. It was slightly incredible, if I do say so myself. It took an entire other sculpture worth of work, but I think I’m getting the hang of this soldering thing finally.
Top three-quarter view.  Nice waterfall effect here.

Top three-quarter view. Nice waterfall effect here.

Here’s a three-quarter view on the left giving a sense of the flowing path the marble will have – or at least I like to hope. The switchback effect from the second spiral to the third comes from the fact that spiral number two rotates counterclockwise, while all the other spirals go clockwise. I thought this would be clever and fun when I did it, but after I started assembling the whole thing I realized just how much harder it made things by switching the direction of the entrance and exit ramps. Yes, oh-so-clever me. I made it work, but it required a lot of figuring and scowling. I would do the same sort of thing again, but I think it would work better on a larger sculpture where I had more room to manipulate the changes in track direction.

Soaring high with four elements attached!

Spock's martini glass is starting to look less like a martini and more just plain...groovy.

And here we have the final results for Sunday evening. I think we’re getting the martini glass effect again on this one. I’m not sure about that whole initial ramp I made for the first spiral, but there you go. Seemed like a fine idea at the time. I’m not quite sure why there’s such a sharp drop between spiral two and three, but I think it has something to do with me not quite knowing how to design the exit ramp appropriately at that time. On this project I’ve learned a ton about spiral exits. They still take a lot of work, but I’m learning how to get them to exit in the direction I want rather than just letting them go wherever they seem to want to go. I’ve yet to figure out how to bend one exactly right from the outset, and since these things never end up going together the way I think they are in my little paper scribblings, it kind of doesn’t matter.
We’re getting close to the end, kids! I was doing bends and tweaks on the final spiral last night before I shut the lights out. With that and the exit ramp to build I’m guessing it may take me another week to get it done. Then…well, then it still won’t be done, because my friend Tina Hanagan is going to design a base for it! I’m very excited about this. Very. I think it will add a lot to the finished design, besides the fact that I think her work is really cool anyway.


With that in mind, I think it’s interesting to note that I’ve just recently found out that another friend of mine is doing lampwork – glass bead making. She tells me she might be able to make some custom marbles for me. Yeah, I know, you’re all just as giddy over this news as I am! We’ll see how that little wrinkle turns out.


Genevieve reminded me that I need to post whatever music I was listening to at the time. This blog’s auditory inspirations: The soundtrack to “Dusk Till Dawn,” and Dar Williams “End of the Summer.”
Until next post, kids, stay creative!

And then I got angry

This talk as of late, of these things not getting done, of not being satisfied with progress.  This has not stopped.  It came up again at my NaNo novel group on Saturday.  Things I’m not doing.  Things I want to do, to accomplish.  Feeling as though the vast majority of otherthings are a complete and total waste of time.  This thing, that thing, the work thing, the day job thing, the doing laundry thing, the cleaning house thing, the eating, the sleeping – these are all sucking the life out of my life.

I had an excellent Saturday afternoon where I worked on the pottery that I’ve been painting for the past three months or so.  It’s total amateur work, but it’s fun,  you know?  I like it.  One of the girls who works there now jokes with me.  “Done yet?” she asks when I come to pay my fees for another 90 minutes of studio time.  I told her there’s a light at the end of the tunnel finally.  I love the work, and I wish I could do more. 

In a phone call with my friend Jem (she’s totally outrageous. totally.) I commented on how I’d like to do a lot more ceramic work.  “I’d like to do a plate to go with it.  Shoot, what I’d really like to do is an entire set of plates, but at three month’s worth of Saturdays for a single bowl, we’re looking at a year and a half for six plates.” 

Just then I walked by the dining room table where my box of six pounds of marbles sits.  “Oh, Outrageous One,” I said, “these marbles are just sitting right here.  The whole box of them.  I’m telling you how I’d like to do a whole set of dinner plates, and here is a box of marbles I ordered months ago, none of them used yet.”  I picked up handfuls of them and let them fall into the box, admiring them.  “They’re gorgeous, and I’ve not used a one of them.  This is terrible, and that’s the thing.  I have to keep doing all this other stuff, and it’s getting in the way of the real stuff I want to do!  I want to use these things!  I want to build a bunch of sculpture!  I want to paint pottery or build cars or write books or whatever, and all I’m getting is about two hours a week to do any single one of these things.  This sucks, man!”

“Yeah, that sucks, man,” quoth Her Outrageousness.  “I gotta go.  I’m at Old Navy and my roommate is giving me a nasty look.  I gotta try this stuff on and get out of here.”

“See, you understand,” I said.  “Later.”

That conversation only got me more exasperated.  I was determined that somehow I was going to get something done before the weekend was over.  This situation sucked, and I wanted to put a bullet in the suck.  Something was going to happen.

This is what happens to harmonicas when they die.

This is what happens to harmonicas when they die.

I had no free time until 1pm the following day (Sunday for those keeping track).  At that point the house needed some stab at cleaning from me being sick and non-active the previous week, so I cleaned up crap, and in the process wound up with a bunch of dead harmonicas that needed to be parted-out for their brass.  See aside there.  It’ll be used for sculpture work – at least I hope so.

Soon after, my brother arrived and work had to be done on the Chevelle for some time.  This is, again, one of those things that seems to get in the way, but if I want to race in the spring, it makes more sense to fix the car now rather than fixing it when we should be racing.  Once we got all the clutch and carb linkage hooked back up, he took off, and it was back to the basement again.

I managed to get nearly three more hours of sculpture work done.  Stuff happened, as they say.

Sometimes it takes a lot of wood to make a wire sculpture.  Who knew?

Sometimes it takes a lot of wood to make a wire sculpture. Who knew?

This picture looks really odd, but I couldn’t get it to come out any better.  At least you can get some idea of the foolishness I went through.  This stuff looks all lovely and floaty when its assebembled, the marbless swirling and wooshing through their graceful little curves and bends and all that jazz, but when you’re putting it together, you just go, “Huh – how am I going to get that to stay up there all floaty-like while I hold a hot blue flame up to it and melt metal to it?”

Wood.  Lots of wood.  Well, that, and a pair of trusty Third Hands.  I could probably use another Third Hand (oh, the jokes!  bah.), but I have two for now, and I get away with it.  You see here how I have the craziness all blocked up and wedged together very delicately and precariously and stuff?  Quite an adventure, I assure you.

There were many minutes of prep work before I even reached that stage.  Lots of filing of pieces, and scrubbing with steel wool, fitting of things together, double-checking, application of flux – it was all groovy, and went splendidly well, I have to say.

Following all of that, it was time to take the plunge.  Torch time.  I often get to these points and really have no clue if what I’m going to do will really work or not.  There are all these subtle little angles at work, and it’s always possible that I’ll execute the maneuver, and then find out that what I did wasn’t what needed to be done, or what will logically work in a real-world situation (I don’t really like the real world, but it interjects itself into my work).  Usually, there’s a little praying involved, and then I just bear down with the torch and start heating stuff up.

Top view of soldered spiral.

Top view of soldered spiral.

Lo and behold, it appears I got lucky!  Check it out.  Not only does this crazy contraption hold itself upright (an early concern), but you can actually roll a marble on it.  The starting ramp is a little flatter than I’d like, but I think that has to do with the whole sculpture sagging a bit under the weight of the added metal.  This will have to be dealt with as I progress.  Looks prett y hip so far, though, and I did get one really fantastic solder joint made.  It looks like a little piece of solder-y museum artwork.  I’m happy to note that tiny bit of improvement.

Bottom view of soldered spiral.  That's some majestic-looking stuff there.

Bottom view of soldered spiral. That's some majestic-looking stuff there.

Ah, and check out the awesomeness from below.  Kind of cool, eh?  For some reason the whole thing takes on a rather 1970s feel from this angle.  Kind of looks like a prop out of Star Trek, maybe something that Spock would have had in his private room.  You know, something to chill out to while he was listening to his Lionel Hampton LPs and drinking a Miller High Life.

Anyway, the cool thing in this picture is that you can see the solder joints are good enough to hold the spiral out there in midair by itself.  It’ll need more support work in a spot or two, but this is a very good start.

So, after several hours I have one new element added to the frame.  It doesn’t look like adding the others will be as straightforward as I thought, but…eh, whatever.  I guess the fun of this is figuring it out.

By the way, I’m all happy about this progress and all, but I want to have at least twenty hours a week to devote to stuff like this, if not forty.  I love this stuff.  I love making stuff, building stuff, creating stuff.  I’m feeling a definite lack in this right now, and it’s driving me mildly nuts.  Glad I could get a little out of my system.  I guess I got to work some anger out.

A very small three hours

I’m sick today, kids, but I figured I’d toss this up for you all since I’ve been away for a bit.

The blog is looking much spiffier thanks to my aforementioned awesome brother.  He did some updates on the ol’ WordPress stuff, adding the nifty new layout in the process.  I wouldn’t doubt that things may change around here in the coming months as I become more familiar with how the software works.  I didn’t have a lot to work with before, and as my brother said, “The back end on this is completely different,” meaning I can do more cool and fun stuff.  I told you he was great, right?

I don’t feel like I’ve been doing much lately, although I did set aside about three hours of time to work on the sculpture last week.  Three hours.  Sounds like a lot, right?  Sounds like I probably hung a bunch of stuff on my frame and now we’ve got some marbles rolling around, right?  Well…

spiralramp0011Here’s what you get.  Three hours of work is apparently enough to make a six-inch long little ramp.  This stuff always seems like it should go so much faster, but doesn’t.  There are all these tiny details that come into play, at least when I do it.  I have to figure out what direction the ramp comes off at, check how it will line up with the rest of the sculpture lines, figure out how much of a rise I need to get the marbles rolling, figure out where to make the appropriate bends, get stuff bent, cut, and filed down appropriately, and then lots of times I just have to shrug my shoulders and say, “I have no friggin’ clue if this is right or not, but if I keep sitting here it will never get done.  If it’s wrong, it’s wrong, but I’ll figure out some way to fix it somewhere down the road.”

Some day, after I’ve been doing this for a while, I’ll pick up easy or at least standard ways on how to take care of some of these problems, but for now it’s a lot of guesswork.  It’s a learning process, this creative stuff.  For now I have a niggling three-hour problem wrapped up, and it’s on to the next challenge.

Brotherly awesomeness

Sometimes I just feel like I’m blessed with uncountable awesomeness in my life.

Tuesday my brother sent me an email with “Sculpture material” in the subject line.  Now, my brother doesn’t do any sculpture that I know of, so I wondered what this could actually pertain to.  I opened it immediately.  “I found these in Ryan’s basement.  I thought you could use them for your sculpture.  They would look cool all rusty and beat up like they are.”

Attached was a photo of two objects that were definitely rusty and dirty.  They looked like giant drill bits, the sort that are used for earth or concrete work.  I couldn’t exactly tell how big they were, but they were maybe a couple of inches around and about two or three feet long.  Nice.

“There’s one more,” he added.  “I’ll bring them over later.”  More nice.

Thursday my brother stopped by my place only moments after I got home.  “Check ’em out, man,” he said, laying two of them down on the floor of my back hall.  “Aren’t they cool?”

Oh, yes.  Yes they are:

With my trusty beverage fuel can for reference, you can get an idea of how big these things are.  Ben opined that the middle one and the one on the right were actually one piece way back in history, and at some point rent assunder.  The one on the left is just a shorty, poor thing.  I wonder if it ever felt insufficient in the bed of the construction truck next to the other, longer augers. 

Clearly, my brother rules.  It touches my heart that he said, “I saw these three rusted, broken, dirty things, and I thought of you.”  That’s love, dudes.  These pieces of cast iron are now destined for greatness at my hands.  The only real problem now is that I have to create an entire sculpture specifically in which to use them, maybe even two separate ones.  I’ve never exactly shied from more sculpture work, though, have I?