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For the record, this is the first time I’ve tried to do a loopty-loop on one of these sculptures. And, yes, it works!
Loopy
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Category Archives: Sculpture
Artist Date – Indianapolis Museum of Art
My friend Jem and I went on a bit of an Artist Date, as prescribed by The Artist’s Way. I was feeling the need for some inspiration, something to cause my brain to make different waves. I took a day off work, and in the morning we went to a coffee shop and worked on our drawings:
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Then in the afternoon we went to the Indianapolis Museum of Art:
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Unfortunately, while they did have some cool kinetic sculpture (including work by Alexander Calder, the inventor of the mobile!!!!), those were in areas where I was not allowed to take pictures. I was able to shoot this wall, which is kind of cool, if not a seminal work by the originator of the mobile:
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Fair enough, the other stuff is in my head anyway, where it will do the most good!
The whole idea behind an Artist Date is to take the art half of yourself (or maybe it’s the art 7/8 or the art 3/4, whatever – you decide the exact equation) out and treat it well, show it a good time. In return, the art portion of you will grow and flourish and start helping you do really awesome stuff. It’s also part of a practice called “refilling the well,” where you replenish some of the energy needed to run the creative engine inside of you.
There were honestly some kind of scary moments in the museum, like when I realized I was writing down tons of names of sculptors, but almost nothing about photographers. What does that mean? Does it mean I’m not going to be doing photography? Does it mean I’m supposed to be a sculptor? Does it mean…well, what DOES it mean? I mean, that lamp, the one with all the brass on it – how do you do that? And those clocks! The clocks with the copper, brass, and steel faces! Those were gorgeous! How…can someone make a living like that? How do you make something so precise and so gorgeous? Many questions, no immediate answers. I guess that’s part of the price of admission with this stuff. (Actually, the IMA is free, which means my confusion and fear cost me nothing. Huzzah!)
Overall, I really enjoyed myself. I got some new ideas for sculpture work, and found out some fun stuff about the Art Nouveau movement. Things could get more interesting. I think we’re entering dangerous inspirational territory here. At any rate, Jem and I have refilled the well, so look for some fantasticness to occur here in the near future!
Blank canvas
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So I finished one sculpture, and the very next day I have this on the bench. Now what?? Time will tell…
Aaaaaaand DONE! “Make Stuff #2” Rolling Ball Sculpture
Finished at last! I forget when I started on this thing, but it seems like weeks ago. I think it was nine days hence, but I was figuring it would be wrapped up in no more than a week, or perhaps even less.
Yeaaaaaah, right. I don’t think it’s likely that I can do something simply and quickly, although that last one wrapped up pretty quickly once I was able to put some time in on it. Okay, it’s possible. Not likely, but possible.
So this one was supposed to be pretty simple and quick, and I suppose, compared to the 30-day builds that I’ve done in the past, this one WAS pretty quick, but not as fast as I’d planned, and, well, really…not as simple. Concept, yes. Execution, no!
Basically there’s a spiral that dumps onto this backwards-facing incline, and then the marble gets carried to the top by inertia where it stops, rolls back again, passes the point where it fell from the spiral, and then continues on through the rest of the sculpture. At its most basic it’s just a spiral and about a foot or so of track. In the real world, not so simple.
But enough of that! Check out the results!
Above you can see the unique aspect to this particular sculpture, the brass ramp. Said ramp is made out of the reed plate of a Hohner harmonica. I removed all the reeds and bent it into a shallow U-shaped channel. The track that it mounts to extends for quite some distance before it is anchored to the base. For this reason, when the marble lands on it, it vibrates a lot and looks like it’s about to fall off at any number of points. It also sounds kind of cool, because it’s brass, gives it a nice little clanky, rattley sound. I would like to get some video of this one in particular. I don’t have a camera, though, nor does anyone I know offhand. I’m wondering if maybe my goal should be to sell several of these so that I can afford a camera. After all, the whole point of these sculptures is that they actually move. It’d be nice to show that aspect to people, particularly when it’s a weird one like this one.
Here you can see the extension of the ramp a little better:
To the lower left of the above photo you can see some more brass. This is where the non-spiral portion of the track is finally anchored. This is also where minor insanity set in. I’m guessing there are about ten inches or so of free movement before the track reaches that anchor point. This is necessary for the agove-mentioned wiggling and clanking and whatnot. It just HAD to be done that way, or it would have really taken the fizz out of the punch, so to speak.
Getting that brass cut properly and soldered on there was a PAIN! That was an entire day of my life, and after that entire day, I failed quite spectacularly at the soldering. I had to leave it sitting there all blackened and lumpy, go to bed, and come back to it the next morning. The following day I realized that, if I were to have any hope in completing it as I had envisioned, what was going to be required was that I clamp the entire assembly onto a 2×4 board *vertically* so that the solder would flow onto the joints properly. Note: This is the part of the sculpture where things went from simple to “Hey, wait a minute! How did I end up doing all this work!” ‘Twas totally worth it though, kids, as it turned out freakin’ sweet!
Here’s the final photo showing some more detail on the curved supports for the spiral. Those turned out kind of nice, though I was torn about them for a while. I made them all and then wanted to scrap them and do something else, but instead I made a few cuts and bends and figured they looked pretty decent anyway. Here you can also get a better look at the upswing on the end of the whole affair. It does a nice job of slowing the marble down and bring it to a more gentle stop where it just kind of settles into the curve and waits to be picked up again.
By the way, didn’t my dad do another killer job on the base? He’s pretty awesome. I should probably get hold of him and ask for more for future projects. I have three left, but by the time I’m done he’ll probably just be finishing up another order for me.
So, fun, right? I thought so, anyway. I’ve never done anything previously with an active element like that wiggling ramp. I think I dig it. I’m going to try something like that with the others, some different kind of element for each one, maybe throw in a little more brass while I’m at it. It’s a bit of a pain to solder, but it looks nice when it’s done.
So that’s it! Pretty cool, eh? I’m jazzed. I hope the next one is as fun as this one. Completing this was rewarding, as it negated all those feelings of frustration that I had while I built it. When those brass pieces refused to solder properly I really did want to scrap that whole part of the plan, but I took a deep breath, called on some patience, and it came through just fine. We all have these moments in our creative endeavors. Remember to “Never judge a fledgling piece of work too soon.” That’s Artist’s Way stuff, kids. Learn it, know it, live it! It’s better than a pile of bent copper wire!
This is getting ridiculous
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I remember about two years ago when I started doing these things I was reading someone’s online account of building rolling ball sculptures. He had a photo up of one part of the process, some copper clamped up in a vise with a bunch of wood, and the accompanying text said something like, “I have built clamps to hold sections of track so that I can solder them appropriately.” I remember thinking, “No way, man, not me. I’m not going to get that involved. That guy is obviously going much further than I’m going to go. That’s kind of ridiculous, all that effort just to solder one joint.
Ladies and gentlemen, I present to you: a photo of me having achieved the ridiculous. (For the record, it worked, and nothing less than this conglomeration of clamps, wood, and wire would have made it possible.)
Go, baby, go!
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Here’s another test moment. It did NOT fall off, even after repeated testing! Success! Now, time to move on to other issues…
They just can’t be straight!
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I find it kind of impossible to do certain things with sculpture. Aside from the first one I ever did, none of them have had support legs that were straight. Every one following that first one has had curved legs. They just look nice to me like that, and they seem to fit with the feel of the curves and the motion of the marbles. These were the same way. I could have knocked them out in no time flat if I’d made simply straight pieces, but I spent an evening bend things up. I just…can’t…make them straight! NO!
Will it roll?
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I have been asked whether I play with these things when they’re done, and the answer is yes. However, I spend a LOT of time playing with them during the build process. This is one of those times. I had a bunch of stuff clamped in place and I was rolling the marble through seeing if it would get from one spot to the next without falling off and rolling under the water heater into a small collection of sawdust and cobwebs.
So uncomplicated, it’s ridiculous
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You’d think I’d have all kinds of crazy tools and whatnot sitting around to help me make these things, but such is not the case. What you’re looking at are the basics of what I work with throughout the construction process. Those clips with the black bases – those things are very important! It really would be hard to do a lot without them. Those are called “third hands” in the biz. Model makers and crafters use them to basically just hold stuff still while it’s being worked on. You’ll notice a couple of pairs of Vice Grips, which I don’t mind plugging here, because they generally are made of awesome, although here they are performing the rather mundane task of simply being heavy and holding one end of the sculpture still and upright while I goof with other stuff. I use them for their intended purpose quite often, however, when soldering things in place or bending wire. The other tools just amount to various kinds of pliers, a hammer, wire cutters, and some soldering tools, maybe a few large clamps on occasion. Oh, and let’s not forget the all-important Sharpie marker. I use that thing ALL. THE. TIME. I sometimes think it’s one of the most important tools I have. This stuff isn’t fancy by any stretch, but it gets the job done.
It’s rather simple, really.
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Want to make endless loops and turns and bends and ramps of wire? Take a long piece of wire, bend it into a “U” at one end, and how you’re started! Just, you know, bend it some more. Or, really, if you’re into minimalism, I guess you could just go with what we have here and call it good. I tend to complicate things a bit, though. I’m weird like that.