Unbeatable Basics

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I ready this fabulous post somewhere on the web once that said, “If the Army ever issued guitars, they would issue Telecasters.” The point was that the Tele was a simple, durable piece of gear that would endure tons of misuse and abuse and still perform a myriad of duties with aplomb, that it was a very basic item, but it had the capacity to cover a number of duties that could be asked of it.

This here is Fender’s reissue of what the Army might have issued – the ’52 Telecaster. It’s paired up with an amplifier that’s an original of roughly the same vintage, a National amp probably from the late 40s or early 50s. Together this pairing is unbeatable for all kinds of traditional music. Anyone from Bob Wills to Muddy Waters to Jimmy Page could get what they wanted out of this setup. On the night this was taken, this combo did itself proud.

Try and fit it all in

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World’s tiniest stage, or at least one of the tiniest I’ve ever had to play on. I can’t even reach my amp without squeezing around the bassist and holding my breath. That black box in the right rear corner? That’s their sound equipment. They ADDED that to the stage recently, because, apparently, there was too much room for things like humans in that corner. None of the guitarist’s gear is even on the stage at this point. I think we could have just built a drum riser by duct-taping our collected amplifiers and gear cases together, and then we could have all stood next to each other and played without moving anything besides our digits and/or lips.

I’m always grateful to have a place to play, but there’s almost no place to have a place here! Gah!

Gnawbone Music

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My friend, Will Scott, is a full-time musician living in New York. He was doing a tour into the Midwest recently, and I was lucky enough to be able to make it to the show. He’s an amazing live performer, drawing on a number of diverse influences such as blues, gospel, country and roots rock. He kind of reminds me of a mix of Chris Whitley, Tom Waits, and Son House. I had a blast, took tons of pictures, and in general just enjoyed the hell out of myself. Sometimes it really is nice to be mixing this photography thing in with other stuff that I dig so much. If you like to check out new music, go look him up and listen to his new album at http://willscottmusic.com/home.html .

Hit it!

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There was just enough light to do this. I had to go with a slower shutter speed, but I like how the drumstick is obviously moving, yet I managed to get the drummer’s face sharp. At my last photo club meeting we were encouraged to do some work with longer shutter speeds even when shooting action stuff. This one turned out kind of nicely as an experiment.

Passionate Relic

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This. This is fantastic. This is an admittedly rather lame pic of something fantastic. Maybe I’ll revisit this in the future and try to come up with some good lighting and whatnot, but I wanted a shot of it, and in the limited time that I had available, the dining room table worked as well as anything.

Remember that post from a couple of days ago with the cute little lady holding the Eko bass? That was the day of the guitar show, the day I wandered around looking for…something. I wasn’t sure what I wanted, although I was hoping I might find a replacement for my 80s Fender Telecaster. Yes, I could have kept using that same guitar and not suffered an physical ailments or infirmities, but I wanted something different. At the very least I knew that if I didn’t replace that guitar I’d have to put another pickup in the bridge position, because the stock one was lame.

I didn’t have my heart set on anything, really. I didn’t go there with a handful of cash, shaking and babbling and just dyyyyying for new gear. I went with the knowledge that, if I did come across something, I could make some trades or sales of my current gear and make something happen. I knew two guys who wanted to buy two different guitars of mine, so it seemed like a pretty good idea to make two things into one thing. How often do you have two buyers lined up like that, anyway? Seemed like a good opportunity.

I got to the show, and wasn’t inside the building more than fifteen minutes when I ended up at the booth of the vendor who was putting on the show. He had a nice 2002 reissue of a ’52 Telecaster. It looked gorgeous, and my bandleader/guitarist was there to act as pro counsel on any possible purchases. I took it down and looked at it. Price wasn’t too crazy on it. I could afford it if I found some more stuff to sell. I was sitting there goofing with it when a mutual friend appeared from out of the crowd.

“What are you doing?” he asked me with some surprise. (I’m never really seen with a guitar.)
“Trying out this guitar.”
“Are you thinking of buying it?”
“Well, yeah.”
“I’m selling mine. It’s out in the car.”
(In my head: “Oh, reaaaaaally?”)

I knew that guitar. It was “the red one.” My friend is always buying/selling/trading one thing or another. He’d picked up this red ’63 Telecaster Relic about a year ago. The first time I saw it I thought, “That’s one damn cool-looking guitar.” I’m not even that into red, it just looked good, and I’d heard him play it, and it sounded good. Plus, he always buys good gear, so I knew this wasn’t some whack job that had issues.

To make a long story somewhat shorter, I went out and looked at it, and my bandleader stopped his conversation with my friend at one point while I was noodling to tell me, “That’s a really good guitar.” I took that as a sign that I would have no regrets in buying it, but I held off. My friend suggested I go through the building and look at all the other stuff just to see if there was anything else I liked. I did, and I found one other thing I liked…except that it was a custom color green ’71 Tele, and it was priced at a for-me-staggering $8,900!

After I left the show I called my friend. “I’d like to buy your guitar,” I said. “And if you don’t need all the money today, I’d like to get it right now.” Lucky for me, he didn’t need all the money that day. He brought it over straight away. I think I’m starting to see how people can get all moony-eyed over their guitars. This thing rules! Just looking at it makes me want to play!

Listen, did you see an Eko?

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I went to a guitar show on Saturday. These things are soooo much fun! Really, if you want to experience weirdness and the panoply of humanity and geekiness, a guitar show is a great way to do this. (Also, if you want to pick up a single guy – lots of them there. Seriously, I know women like music as well, but how many of them want to wax nostalgiac about the quality and sound of an original ’63 Strat versus the ‘unholy’ Relic Series reiusse ’63s? It’s largely a group of excited, if lonely, men.)

Anyway, lots of good fun and ogling to be had at a guitar show. There are all different kinds of folks milling about (with some fantastic hair styles, I might add), but this one woman stood out to me. She was sitting quietly off to the side with this instrument looking as if she might just be waiting for an opportunity to speak. I must have walked by her half a dozen times if not more, and I just sort of got curious. I kind of expected her to start playing it or something, and it was such an odd-looking instrument, not one that I remember having seen before.

Finally I just went over and asked her what it was. She smiled and said, “Oh, honey, I don’t know. I’m just holding it for my son while he goes to sell something.” She invited me to look at the tag, and it said that it was a 1967 Eko bass. She was such a sweet little thing that I just said a few more words, and then I asked if I could take a picture of it, and she obliged. She looks like she should be playing it, doesn’t she? I was kind of bummed that she didn’t burst into “Surrey with the Fringe on Top” or maybe “Foggy Mountain Breakdown?”

Bridge to Paradise

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I love closeup detail shots like this one. If I had the proper lens I could *really* do some cool stuff…but I don’t. Maybe I should find a way to afford one. Hmmm…not sure how to do that. A new one kind of like what I want costs about $800. The one I *really* want costs something like $1500. Yeah, somehow I always get interested in things which bring high prices of entry. Bah!

Anyway, for those curious, this is a closeup of a mid-80s Fender Telecaster. The black thing with the dots is the pickup, the sorta rusty things that the strings go over is called the bridge, hence my clever little blog title. I do love the Teles. Wish I had an older one with some vintage cool to it. Wait? What’s that? You say there’s a vintage guitar show coming up this weekend? Hmmm…what can I sell?

Lens or guitar…lens or guitar…

Big, Flat Music

Put the needle on the record...

Put the needle on the record...

Remember these? People used to buy them, rush to the store to get them even! Big, circular discs of music-y goodness. I have a small collection. I’m by no means an audiophile or collector of old vinyl, but I have a few. Mostly I owe my meager collection to friends who see stuff I’d like and pick it up for me. Bruce has red on his head because a friend found “The River” at a thrift store and brought it home just for me. This was only a couple years ago, and until I set aside some money to buy the CD, I actually put the thing on my turntable (I had to buy one at a yard sale just to listen to some vinyl a few years prior), and used them as originally intended.

I haven’t listened to every single one of these all the way through. Some of them came with my house when I bought it (I also have Elvis Live from Hawaii on 8-track!…but it plays badly *frowns*). Still, I think I’ve listened to at least parts of all of them, and this stuff rolls around in my head in various random ways and somehow comes out of me when I’m onstage.